Lucienne Bloch Art

Some People Together, 1974 Hand-signed and dated in pencil Color lithograph and screenprint Sheet 22 x 29 3/4 inches; 559 x 756 mm. Edition 110

Josef Albers & Auguste Herbin Paris, 1975: Vintage original silk-screened exhibition poster published in conjunction with a joint exhibition by Auguste Herbin & Josef Albers at Galer...

Michael Mazur "The Artist" Hand signed and editioned from the edition of 50 1967 Michael Burton Mazur (1935-August 18, 2009) was an American artist who was described by William Grimes of The New York Times as "a restlessly inventive printmaker, painter, and sculptor." Born and raised in New York City, Mazur attended the Horace Mann School. He received a bachelor's degree from Amherst College in 1958, then studied art at Yale. Mazur first gained notice for his series of lithographs and etchings of inmates in a mental asylum, which resulted in two publications, "Closed Ward" and "Locked Ward." Over the years, he worked in printmaking and painting. His series of large-scale prints for Dante's Inferno won critical acclaim, and were the subject of a traveling exhibition organized by the University of Iowa in 1994. Later he concentrated on creating large, lyrical paintings which make use of his free, gestural brushwork and a varied palette. Some of these paintings were seen in an exhibition of 2002 at Boston University, "Looking East: Brice Marden, Michael Mazur, and Pat Steir." (See also Susan Danly, "Branching: The Art of Michael Mazur," 1997). The Museum of Fine Arts, Boston, has acquired a definMichael Mazur received a B.A. from Amherst College in 1957, studying in his senior year at the Accademia di Belle Arti in Florence, Italy. He went on to earn both a B.F.A. and an M.F.A. from the Yale School of Art and Architecture in 1961. Mazur's first teaching job was at the Rhode Island School of Design from 1961 to 1964. He was awarded a Guggenheim Foundation fellowship for 1964–65. From 1965 to 1976, he taught at Brandeis University, and from 1976 to 1978 at Harvard University. As an artist, teacher, and writer, Mazur has been active in reviving the monotype process. He contributed an essay to the pioneering exhibition catalogue The Painterly Print, published by the Metropolitan Museum of Art in 1980. Mazur recently chaired the New Provincetown Print...

Argentinian race car driver Juan Fangio (1911 - 1995) in his Mercedes at Le Mans, June 1955. The race saw the death of Mercedes team mate Pierre Levegh and 80 spectators. Original Pu...

Some People Together, 1974 Hand-signed and dated in pencil Color lithograph and screenprint Sheet 22 x 29 3/4 inches; 559 x 756 mm. Edition 110

The Wounded One (El Herido) from Violence (La Violencia) 1969 signed, dated and titled in pencil Dimensions: sheet: 22 1/16 x 30 1/16" (56 x 76.4cm) Rafael Canogar ( Toledo , 1935) is a Spanish painter, one of the leading representatives of abstract art in Spain. Disciple of Daniel Vazquez Díaz (1948-1953), in his first works he found a way to reach the avant garde and, very soon, to study abstraction deeply. He initially used a sculpture technique: with his hands he scratched or squeezed the paste that vibrated on flat colored backgrounds. It was a painting in which the initial gesture comes directly from the heart. At this point, Canogar embodied the best of painting material . In 1957 he founded with other artists the EI Paso group. With artists like Luis Feito, Manolo Millares, Pablo Serrano, Manuel Rivera and Antonio Saura, he begins the Spanish avant-garde movement and continues to do so until 1960. It is influenced by Action painting. They defended, between 1957 and 1960 , an informal aesthetic and the opening of Franco Spain...

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

The Beatles were an English rock band formed in Liverpool in 1960. With a line-up comprising John Lennon, Paul McCartney, George Harrison and Ringo Starr, they are regarded as the mo...

'Indian with Bow in Fox Costume' is a vintage 1934 WPA era modernist color serigraph/silkscreen print by New Mexico artist, Hilaire Hiler (1898-1966) depicting a Native American figure with stylized feather headdress and Bow in black and red with white. Pencil signed by the artist in the lower right margin. Presented in a custom frame with all archival materials and UV protectant glass, outer dimensions measure 17 ½ x 15 x 1 ½ inches. Image size is 10 x 7 inches (sight). Expedited and International shipping is available - please contact us for a quote. About the Artist: Hilaire Hiler was born in St. Paul, Minnesota, and was raised in Providence, Rhode Island. Hiler took art classes as a child at the Rhode Island School of Design. When he was older, Hiler studied at the Pennsylvania Academy of the Fine Arts, the Pennsylvania School of Industrial Art, Wharton School of Finance and Commerce, and William Server's studio. He also studied at the University of Pennsylvania, the University of Denver, Golden State University, and National College in Ontario, Canada. He continued on to France, studying at the University of Paris in 1919. Hiler lived in Paris from 1919-1934, supporting himself as a jazz musician and a piano player for The Jockey Club. Hiler moved back to America in 1934, settling in San Francisco. He was commissioned by the Works Progress Administration (WPA) to paint murals in the Aquatic Park...

Pictorialist photograph of a young woman. Silver print in the original oak frame. Inscribed on reverse R.S. Paddock, Early 20th century. Pictorialism is the name given to an interna...

Beautiful modernist figurative abstract with birds, a large scale vertical dual panel original serigraph, "Golden Haven I, and "Golden Haven II", by Phil Paradise...

Bound volume with complete text and 8 color screenprints. One of 1500 numbered copies. Signed by John Hersey, Robert Penn Warren and Lawrence and numbered ...