Maeda Chikubosai Asian Art and Furniture

Cachepot is a beautiful Japanese vase realized in the 1930s with the typical oriental objects elegance and sinuous line. This decorative bronze objec...

The mark on the underneath (see image) indicates that this spittoon is of Japanese Imari porcelain, manufactured circa 1880, and made specifically for the American market for the preponderance of bars and saloons at that time. These were popular from 1865 to the turn of the century; this is a particularly fancy and elaborate example. Note the copious and highly detailed and beautiful floral decoration to the inside of the upper portion of the spittoon; pretty fancy for something meant for spit and saliva! Fantastic and all original condition with no cracks, no chips and very bright paint in sharp colors of blue rust and pink, and meticulously painted in a floral pattern. Several of these would have been “stationed” in strategic places within a saloon. This is a wonderful piece of porcelain, and quality item of saloon and Western United States history...

I would like to introduce some wonderful stones mined in Japan. This is probably a stone produced in Shizuoka Prefecture or Wakayama Prefecture. It is believed that the quarrying a...

A vintage Japanese ikebana made from lacquered bamboo basketry circa first half of the 20th century. This piece of bamboo art displays an very light and delicate classic tapered squa...

An elegantly woven bamboo basket with handle as an ikenana container by Suzuki Gengensai (1891-1950) circa 1923-50. Suzuki Gengensai was from Kansai region and active in Osaka. He studied bamboo art under Yamashita Kochikusai (1876-1947) and became an independent artist in 1913. He received his artist name Gengensai in 1914 and in 1923 he changed the characters to Gen, a slight written variation of the character. This basket was signed in this later variation, which helps to date the piece to post 1923. The basket is woven entirely in a free style irregular plating on the body and with a twisted bundled handle. The surface is lacquered in a deep reddish color. The seemingly less rigid technique renders the piece a more rustic and natural aesthetic that is more suitable for certain occasions. It is singed on the base with artist's signature in the variation post 1923. A very similar basket of the irregular weaving but without the handle is illustrated in plate 72 in "Baskets Masterpieces of Japanese Bamboo Art...

Chinese finely moulded ebonized plaster Brush pot bitong imitating carved zitan 20th century Of cylindrical form, decorated with complex designs depicting Tang ladies entertain...

An elegant hand-woven ikebana flower backet by Japanese bamboo artist Kosuge Kogetsu (1932-) circa 1970-80s. This basket is in the classic form derived from Chinese flower basket...

Set alongside the four treasures of the study - the calligraphy brush, ink, paper, and inkstone - a brush pot, or bitong, was an essential fixture of the scholars' desk. This beautif...

A Japanese Ikebana basket woven by bamboo artist Abe Motoshi (Japanese, b. 1942). In an organic vase form with elegant, curved wall with reinfo...

A rare hanging ikebana basket by Japanese bamboo artist Suzuki Gengensai (1891-1950) circa 1923-50. This elegant hanakago was made entirly from white bamboo. It consists of a square ...

Elegant and finely crafted rosewood and ivory inlay traveller's writing desk from the late Mughal period of British India (circa 1825), on low bun feet. In excellent condition, with ...

An important piece of bamboo basketry art by Maeda Chikubosai I (1872-1950), circa 1920s-1930s. The body of the bamboo brazier was made with smoked bamboo (susudake) and rattan and with a built-in copper liner brazier. Mat plaiting, diagonal plaiting and twining were used to construct the robust body while hexagonal plaiting was used for the base. It is signed on the base Chikubosai Kore o tsukuru (Chikubosai made this). The copper brazier...