Michaele Vollbracht Furniture

Arshile Gorky: A Retrospective by Professor Michael Taylor and Kim Theriault. Yale University Press, Published 2009. 1st Ed Hardcover with dust jacket exhibition catalog for show at ...

The 4th is released in a limited edition size of 100. Based on a 2012 13-feet tall piece composed of two stacked panels. As Tatiana Istomina describes the work, ‘The upper [panel] sh...

Available in a limited edition of 100, Cicely and Miles Visit the Obamas, captures a scene where Miles Davis and Cicely Tyson, stand in front of the White...

Released as an edition size of just 50, the See Alice Jump pentaptych depicts Taylor’s 2011 painting of Alice Coachman. Zadie Smith continues, ‘No one else could have painted See Alice Jump or The Long Jump by Carl Lewis (2010), in which African-American sports stars leap through the artist’s beloved horizontal, and thus through time, through neighborhoods, through Black history...

This wall sculpture balances the strength and delicacy of its materiality through the texture of the broken and whole ceramic links. These works are assembled from the collected ruin...

This wall sculpture balances the strength and delicacy of its materiality through the lush draping of seemingly fragile ceramic links. Each link is individually assembled into a vast...

Small oil painting, the city on it. Signed Ray Bai 1995. Hand painted in Denmark. In the set of white wood frame. Very nice small decoration for ...

1995 playing card collage artwork by Robert Heckes mixed-media Decoupage 72" "Rural or country themed collage, featuring a rooster perched at the cent...

Really impressive oil on canvas painting by the great modern Italian artist Umberto Carabella (Paliano, Frosinone 1912-1956). This is an intense portrait of the great football player Giancarlo 'Carlo' Galli, known as 'Testina d'oro' (Golden Head) for his skill in the head game. Period 1950s This painting, never before on the market, comes from a private collection. Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. After his football training at Montecatini, Carlo Galli's competitive career remained inextricably linked to that of coach Giuseppe Gipo Viani. He met the future coach of the national team in Lucca in 1949 and in the summer of that year, when Viani moved to the Palermo bench, Galli was signed by the Rosanerodal from Cascina. Despite his stature, however, he was gifted in the aerial game and here Viani's contribution was decisive. He succeeded in making him a centre forward who made the most of his characteristics, so much so that he was nicknamed the golden head, and on 8 December 1949 came his Serie A debut. On 18 December (Palermo Lazio 2-1) he scored his first Serie A goal. He ended his first season in the top division with 8 goals. On 5 November 1950 (Palermo Pro Patria 8-0) he scored four...

For sale a fabulous Limited Edition signed print of "Bowie's Eye" by the legendary photographer RANKIN. Photographed in 1995 for "The Changing Faces of David Bowie" feature for Dazed & Confused Magazine, Issue 14. Edition 33/500. The print is framed and comes with a signed, numbered & stamped Certificate of Authenticity from Rankin, together with a signed, numbered & stamped sticky label which can be affixed to either the back of the print or the back of the frame. Description: “The chorus of “No Control”, one of the outstanding tracks for the new album Outside, co-produced by Brian Eno, echoes around the sparse, hangar-sized photographic studio. Heavy, black curtains...

A beautiful large scale work of art by Laddie John Dill. Each panel measures 42.5" W x 66" H. Work is composed of cement, glass, wood and pigment applied to canvas. Signed and dated ...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...