Perignem Table Lamps

Our Mid-Century Modern Brutalist Ceramic Table Lamp has a beautiful brown glaze over the 3 dimensional, bas-relief design on the front an...

Very nice Turquoise color lamp stands. Square shape. Comes with matching shades. Signed. 1970s. Measures: Without shades. Height 30 cm, width 10 cm, depth 10 cm. one E27 bulb. With...

Dimensions: Lamp: 29.50”H x 16.25”W x 16.25”D Shade: 13.25"H x 16.50"W x 16.50"D Materials: Glazed Ceramic, Walnut

Modern 1970s brown and white glazed ceramic table lamp consisting of a square ceramic base on which the ceramic globe with lighting articulated and illuminate any desired direction.O...

Newly Rewired, New Custom Linen Shade Dimensions: 26.50"H x 11"W x 11"D Lamp Shade: 10"H x 17"W x 17"D Materials: Glazed Ceramic, New Custom Linen Shade

Danish Modern organic shaped stoneware table lamp. Made in various earthern / green colors. Made in the 1970s by Axella Stentøj, signed underneath. This item is in a great vintage ...

Very beautiful Tiki ceramic table lamp executed in Hawaiian South Sea Style and an original raffia shade, made in the 1950s by Tilgmans Sweden, excellent vin...

An organic and Brutalist style Butterly table lamp. No chips or cracks. Easily retired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...

Beautiful and fun pair of ceramic lamps. Mid-Century Modern in design and era. Circa 1950s. The lamps have a playful organic and cubic shape which not only looks good but also allows...

French ceramic table lamp from the 1970s. The abstracted boat-like design has a sculpted chamotte base with a parchment paper shade in the shape of a sail. One brass E14 socket with ...

Turtle shaped table lamp in white glazed ceramic. Designed by Ugo Zaccagnini, 1970s. Complete with straw lampshade and wooden base.

This Mid-century table lamp was designed and produced in Italy, during the 1950s. It has a light green base where a brass curved rod is attached. With a light green painted lampshade...