Project 213A Chairs

The “Ball-Foot Chair” is upholstered with a subtle beige cactus leather, a vegan textile infused with natural cacti fibers, which is produced in Mexico. The chair’s comfortable and r...

Lloyd Chair by Crump and Kwash Solid wood construction / hand rubbed oil finished / solid waxed brass rungs / shearling wrapped back support / shearling wrapped seat cushion. D...

An interesting brutalist stool with hand carved legs and great patina. Great piece of functional sculpture. It is in great vintage condition and is structurally sound. Nice addition ...

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

The INVICTA dining chair is a unique piece, and the impressive design with just one leg in the back, in solid wood, will make the dining room a so...

The B&B Italia Maxalto florence by Antonio Citterio lounge chair with mesh foot rest is the perfect addition to any modern living space. This sleek and stylish chair features a molde...

Crafted from solid wood the Chair-02 Lounge Chair is a designer feature piece and a comfortable lounge chair for your home. Inspired by Dalisay Collection's original 3 legged, Chair-...

Earthy and grounded cast iron chair with striking Kintsugi-inspired bronze "vein" detail by Chen Chen and Kai Williams. This leathered cast iron and bronze chair...

Iron open arm accent chair 21”w x 22”d x 28”h Seat: 18”h x 17”d. Arm: 25”

Chair with Foot Stool Swedish 20th Century Sweden. A chair with foot stool made in during the first part of 20th century in Sweden. Upholstered i...

For FULL item description click on CONTINUE READING at the bottom of this page. Offering one of our recent palm beach estate fine furniture acquisitions of an antique hand carved chiavari mahogany or walnut petite vanity desk accent dining chair...

A interesting brutalist wood tripod chair from Germany, with a matching foot rest or table. Great piece of functional sculpture. Stool and foot rest is in great vintage condition and...