Ralph Dorazio Art

This sculpture light is a captivating addition to the Art + Light series, where the interplay of light and art creates a unique and fascinating effect. The wooden cube is covered wit...

Bedfellows refers to partnerships and celebrates relationships. This piece is subtle and beautiful. The pale, purple paint accentuates the carved texture. The piece is framed in wh...

Chilean artist Pilar Ovalle's sculpture "Barca Pez," or "Fish Boat," is crafted with driftwood collected from lake shores in Chile combined with dimensional Alerce, a native Chilean wood. It can be suspended as shown or a custom bracket (not included) can be designed based on the site to make it into an exciting wall sculpture. In Ovalle’s imagination, boats embody animal forms, reinforcing the imaginative versus physical nature of the boat as a representation of travel. Ovalle says of her work, "As I work directly with Nature, combining wood already ‘worked’ by wind, water and time, with ‘elaborated’ - sawn - wood, I do this with a critical scope, dealing with ecology and progress, with emotion and poetry somehow set against rationality and technology, or setting ‘wisdom’ against mere information." This sculpture is suspended from two wires, but could also be wall hung with a custom bracket (not included). We would be happy to assist with the design of this custom bracket. Ovalle traveled to Southern Chile to study with boat builders and learn the traditional skills of the trade, which is evident in the graceful curve of the hulls she has built with traditional joinery and wood "stitches" and without the use of nails. Born in Santiago, Chile, Pilar Ovalle began her studies in 1989 at the Instituto de Arte Contemporáneo de Santiago. She studied with the Instituto through the early '90s, during which time she also won Third Prize at the XV Concurso de Arte Joven (Young Art Contest) and received grants from Fondart (National Fund for the Arts) for her projects “Sculpture with Shattered Wood” and “Curved Wood Sculpture...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Dendrocronology is made with tropical solid wooden pieces with a varnish finish. Its details and contrast with the background wall make it an incredibly special piece. The artists we...

This large fun, colourful interactive sculpture is a fully functioning swing designed by the Japanese born artist Natsuki Takauji. Now living in New Yo...

This sculpture light is a captivating addition to the Art + Light series, where the interplay of light and art creates a unique and fascinating effect. The wooden cube is covered wit...

charcoal on paper mounted to silk foam core and wood Mark Pomilio’s work focuses on the research of fractals, cloning, and single cell manipulation. His mathematics-based drawings serve as a metaphor for naturally occurring systems of reproduction and growth. When Pomilio begins a piece, he doesn’t know where it will lead; although his tools and marks are precise, the layering, repetition, rotation, and distribution of basic shapes are improvised to emulate a single cell dividing and compounding into a complex form. The process of cell growth influences Pomilio’s practice and is emphasized through his own process, the use of erasure, faint outlines, opacity and translucency, and deliberate marks. The resulting compositions are balanced, unified, and harmonious. His work is included in the collections of the University of Arizona Museum of Art, Baylor University Martin Museum of Art, Dupont Corporation, University of Michigan...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American arts and crafts. He moved to Claremont, California, to attend college at Claremont Men’s College (now Claremont McKenna College.) Following his desire to make things by hand, he enrolled in a weaving class taught by Marion Stewart at Scripps College in 1970. His intrigue with the tools, systems and materials involved in weaving and other textile constructions led him to take other courses with Neda Al-Hilali a year later, also at Scripps. He did graduate work at the University of California, Los Angeles, where he studied with Bernard Kester and Vasa. Garrett has exhibited throughout the United States for over thirty years in hundreds of exhibitions, as well as in Europe, Africa and Asia. Garrett has worked simultaneously with two and three-dimensional formats to create his textile forms with a variety of materials. Visually unpredictable, his work may be woven, wrapped, plaited, riveted, painted, rusted, twined, nailed, stitched or tied. With an expansive repertoire of materials, each work of art is meticulously crafted, while achieving an energetic complexity; he moves gracefully from constructing wall pieces to baskets, breathing new life into discarded objects. Currently a full time studio artist, he teaches workshops on creativity and experimental basketry at schools nationwide. He was awarded a National Endowment for the Arts fellowships in 1983 and 1995 as well as elected a Fellow of the American Craft Council in 2010. Selected Museum Collections Albuquerque Museum, Albuquerque, NM Museum of Art and Design, New York, NY Arkansas Museum of Art, Little Rock, AR Carnegie Museum of Art, Pittsburgh, PA Detroit Institute of Art, Detroit, MI Erie Museum, Erie, PA High Museum, Atlanta, GA Minneapolis Institute of Arts, Minneapolis, MN Mint Museum of Craft and Design, Charlotte, NC Museum of New Mexico, Santa Fe, NM Museum of California, Oakland, CA Museum of International Folk Art, Santa Fe, NM Philbrook Museum, Tulsa, OK Renwick Gallery of the Smithsonian American Art Museum, Washington, DC Racine Art Museum, Racine, WI Contemporary Installation Sculpture...

Outdoor abstract Sculpture " Cibola " I have created the piece using sand cast aluminium which is then mounted on wood, it brings together the durability of metal with the earthines...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday archetypes take shape in unexpected combinations of materials. The works emerged as the tactile and visual senses channeled the ritualistic power and materiality of selected artifacts. The resulting objects exist in a space between what they were originally and what they could become. A wheel, for example, is distorted as if seen through a prism. Their collaboration grew out of years of shaping materials into one-of-a-kind objects. Intuitively, the process of creating with their hands took an inward turn. Prism is a travelogue through memories and dreams, yielding abstract forms that capture moments of transformation. Van Wifvat grew up with eight siblings and studied sculpture and environmental design in Minneapolis at MCAD. In 1979, he opened a storefront art gallery to promote the work of local artists. The space featured printed materials—art books, periodicals, fanzines, and postcard’s. Wifvat moved to New York in 1983 to study at the Fashion Institute of Technology and Parsons. In 1987, he co-founded Van Gregory & Norton design studio, specializing in convex mirrors and curtain hardware...

Stella Alesi, Green Giant, Acrylic on birch plywood, 76 H x 36 W X 16.5 D", 2021