Reed & Barton Vases and Vessels

English provincial gold by Reed & Barton sterling silver flatware set - 24 pieces. Gold flatware is on trend and makes a bold statement on your table. This set is vermeil (completely...

Victorian pair of sterling silver-mounted cut crystal vases, England, circa 1895. Each heavy vase stands 7" high x 3 1/4" diameter at widest point. Crystal "twists" near the base of ...

This Art Nouveau vase displays particularly beautiful embossing which allows the harmonious creation of the figures of two young women at the front of the vase and two more at the ba...

Lovely little Art Nouveau vases, made of iridescent glass, beautifully decorated with green drops and gold colored accents. The vase is not marked, maker unknown. Originating from F...

Mauser sterling silver bud vase in Art Nouveau style from the late 19th or early 20th century, beautifully adorned with pierced and floral motifs. It measures 9'' in height by 3 1/3'...

An elegant, silver-plated vase from the German WMF factory. Ikora pattern, designed in the 1930s. Classic Art Deco style. Good condition with slight abrasions to the enamel. Dimensi...

A silver plated "Paul Revere" bowl by Reed & Barton. This round bowl is the 6.5" diameter size version. Stamped " Reed & Barton 103" along with a sticker on the bottom. Well patinate...

An unusual late French Art Nouveau tall slender cameo glass vase decorated with raised deep orange falling leaves against a mint green field. Exhibiting excellent detail and colour, ...

Vintage Mexican etched floral sterling overlay glass jar with spoon holder. This wonderful jar was produced in Mexico and feature a wonderful sterling ove...

This is a very good quality crystal cut glass cologne or perfume bottle with a sterling silver screw top lid, made in London and dating to the early Art Deco period, 1919. The clear glass bottle or jar has a rectilinear shape, having an oval section, with finely hand cut vertical sides and small panels cut on the shoulder. The sterling silver circular top is threaded for turning onto the neck section. It is finely engine turned to the top which is very decorative. It is marked on the side of the neck with sterling silver hall marks for London 1919...

Loetz Art Nouveau circa 1900 art glass vases with floral and decorative scroll Silver Overlay. (Pair) Larger: Corset form in iridescent gold glass decorated with scrolling silver overlay and a blank cartouche. Height: 5.25 X 2.75 Diameter Condition: Mint. Smaller: Bulbous smoke stack form in iridescent green-gold decorated with scrolling silver overlay flowers. Marked: Alvin pat 67 Height: 4.25 X 2,65 Diameter Condition: Mint AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period –The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...

WMF Art Nouveau Dinanderie glass green color (patina) Origin Germany Technical DINANDERIE Good condition with natural wear circa 1900. Art nouveau, mod...