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Figures in the Grass, Contemporary Gouache Painting by Robert Beauchamp
Figures in the Grass, Contemporary Gouache Painting by Robert Beauchamp

Figures in the Grass, Contemporary Gouache Painting by Robert Beauchamp

By Robert Beauchamp

Located in Long Island City, NY

Artist: Robert Beauchamp, American (1923 - 1995) Title: Figures in the Grass Year: 1994 Medium: Gouache on Paper, signed Image Size: 21.5 x 29.5 inches Size: 22.5 x 30.25 in. (57.15 ...

Category

1990s Contemporary Robert Beauchamp Art

Materials

Gouache

American Neo Expressionist Woman with Monkeys Abstract Modernist Oil Painting
American Neo Expressionist Woman with Monkeys Abstract Modernist Oil Painting

American Neo Expressionist Woman with Monkeys Abstract Modernist Oil Painting

By Robert Beauchamp

Located in Surfside, FL

Robert Beauchamp, American (1923-1995) Untitled Hand signed lower right, titled verso. MIxed media oil painting on heavy art paper sight: 22 3/4 x 29 1/2 inches frame dimensions: 23 ...

Category

20th Century Neo-Expressionist Robert Beauchamp Art

Materials

Paper, Oil

Untitled, Surrealist Mixed Media on Paper by Robert Beauchamp
Untitled, Surrealist Mixed Media on Paper by Robert Beauchamp

Untitled, Surrealist Mixed Media on Paper by Robert Beauchamp

By Robert Beauchamp

Located in Long Island City, NY

Robert Beauchamp, American (1923 - 1995) - Untitled, Year: c. 1979, Medium: Mixed Media on Paper mounted on board, signed l.r., Size: 35.5 in. x 80 in. (90.17 cm x 203.2 cm), Fram...

Category

1970s Surrealist Robert Beauchamp Art

Materials

Mixed Media

Green Jump, Surrealist Lithograph by Robert Beauchamp

Green Jump, Surrealist Lithograph by Robert Beauchamp

By Robert Beauchamp

Located in Long Island City, NY

Robert Beauchamp, American (1923 - 1995) - Green Jump, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 200, Size: 25 in. x 32 in. (63.5 cm x 81.28 cm)

Category

1980s Surrealist Robert Beauchamp Art

Materials

Lithograph

Vintage Abstract Painting by Robert Beauchamp
Vintage Abstract Painting by Robert Beauchamp

Vintage Abstract Painting by Robert Beauchamp

By Robert Beauchamp

Located in Miami, FL

Vintage Abstract Painting by Robert Beauchamp Offered is an original work on paper by Robert Beauchamp (1923 – March 1995) signed lower right. This piece was acquired by the previo...

Category

Late 20th Century American Robert Beauchamp Art

Materials

Canvas, Paint

Apple Dream, Surrealist Lithograph by Robert Beauchamp

Apple Dream, Surrealist Lithograph by Robert Beauchamp

By Robert Beauchamp

Located in Long Island City, NY

Robert Beauchamp, American (1923 - 1995) - Apple Dream, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 25, Size: 25.5 in. x 33 in. (64.77 cm x 83.82 cm)

Category

1980s Surrealist Robert Beauchamp Art

Materials

Lithograph

Green Flame, Modern Lithograph by Robert Beauchamp
Green Flame, Modern Lithograph by Robert Beauchamp

Green Flame, Modern Lithograph by Robert Beauchamp

By Robert Beauchamp

Located in Long Island City, NY

Robert Beauchamp, American (1923 - 1995) - Green Flame, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP 25, Image Size: 25 x 24.5 inches, Size: 33 in....

Category

1980s Modern Robert Beauchamp Art

Materials

Lithograph

Red Rat, Surrealist Lithograph by Robert Beauchamp
Red Rat, Surrealist Lithograph by Robert Beauchamp

Red Rat, Surrealist Lithograph by Robert Beauchamp

By Robert Beauchamp

Located in Long Island City, NY

Robert Beauchamp, American (1923 - 1995) - Red Rat, Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 18 in. x 26 in. (45.72 cm x 66.04 cm)

Category

1970s Surrealist Robert Beauchamp Art

Materials

Lithograph

Watermelon, Surrealist Lithograph by Robert Beauchamp
Watermelon, Surrealist Lithograph by Robert Beauchamp

Watermelon, Surrealist Lithograph by Robert Beauchamp

By Robert Beauchamp

Located in Long Island City, NY

Robert Beauchamp, American (1923 - 1995) - Watermelon, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 200, Size: 25 in. x 32 in. (63.5 cm x 81.28 cm)

Category

1980s Surrealist Robert Beauchamp Art

Materials

Lithograph

Riders, Surrealist Lithograph by Robert Beauchamp
Riders, Surrealist Lithograph by Robert Beauchamp

Riders, Surrealist Lithograph by Robert Beauchamp

By Robert Beauchamp

Located in Long Island City, NY

Robert Beauchamp, American (1923 - 1995) - Riders, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 18 in. x 26 in. (45.72 cm x 66.04 cm)

Category

1970s Surrealist Robert Beauchamp Art

Materials

Lithograph

Green Jump, Surrealist Lithograph by Robert Beauchamp

Green Jump, Surrealist Lithograph by Robert Beauchamp

By Robert Beauchamp

Located in Long Island City, NY

Robert Beauchamp, American (1923 - 1995) - Green Jump, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 200, AP 45, Size: 25 x 32 in. (63.5 x 81.28...

Category

1980s Surrealist Robert Beauchamp Art

Materials

Lithograph

Camel and Red Apple, Surrealist Lithograph by Robert Beauchamp
Camel and Red Apple, Surrealist Lithograph by Robert Beauchamp

Camel and Red Apple, Surrealist Lithograph by Robert Beauchamp

By Robert Beauchamp

Located in Long Island City, NY

Robert Beauchamp, American (1923 - 1995) - Camel and Red Apple, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 200, AP 25, Image Size: 24 x 24 inches, Si...

Category

1970s Surrealist Robert Beauchamp Art

Materials

Lithograph

Blue Nude, Surrealist Lithograph by Robert Beauchamp
Blue Nude, Surrealist Lithograph by Robert Beauchamp

Blue Nude, Surrealist Lithograph by Robert Beauchamp

By Robert Beauchamp

Located in Long Island City, NY

Robert Beauchamp, American (1923 - 1995) - Blue Nude, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 18 in. x 26 in. (45.72 cm x 66.04 cm)

Category

1980s Surrealist Robert Beauchamp Art

Materials

Lithograph

American Neo Expressionist "Wild Horses" Modernist Oil Painting
American Neo Expressionist "Wild Horses" Modernist Oil Painting

American Neo Expressionist "Wild Horses" Modernist Oil Painting

By Robert Beauchamp

Located in Surfside, FL

Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...

Category

20th Century Neo-Expressionist Robert Beauchamp Art

Materials

Paper, Oil

American Neo Expressionist "Wild Horses" Modernist Oil Painting
American Neo Expressionist "Wild Horses" Modernist Oil Painting

American Neo Expressionist "Wild Horses" Modernist Oil Painting

By Robert Beauchamp

Located in Surfside, FL

Signed lower left. Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...

Category

20th Century Neo-Expressionist Robert Beauchamp Art

Materials

Paper, Oil

Blaze, Surrealist Lithograph by Robert Beauchamp

Blaze, Surrealist Lithograph by Robert Beauchamp

By Robert Beauchamp

Located in Long Island City, NY

Robert Beauchamp, American (1923 - 1995) - Blaze, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 200, Size: 32 in. x 25 in. (81.28 cm x 63.5 cm)

Category

1980s Surrealist Robert Beauchamp Art

Materials

Lithograph

Crows, Surrealist Lithograph by Robert Beauchamp
Crows, Surrealist Lithograph by Robert Beauchamp

Crows, Surrealist Lithograph by Robert Beauchamp

By Robert Beauchamp

Located in Long Island City, NY

Robert Beauchamp, American (1923 - 1995) - Crows, Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 18 in. x 26 in. (45.72 cm x 66.04 cm)

Category

1970s Surrealist Robert Beauchamp Art

Materials

Lithograph

Blonde, Surrealist Lithograph by Robert Beauchamp
Blonde, Surrealist Lithograph by Robert Beauchamp

Blonde, Surrealist Lithograph by Robert Beauchamp

By Robert Beauchamp

Located in Long Island City, NY

Robert Beauchamp, American (1923 - 1995) - Blonde, Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 100, Size: 18 in. x 26 in. (45.72 cm x 66.04 cm),...

Category

1970s Surrealist Robert Beauchamp Art

Materials

Lithograph

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By Robert Beauchamp

Located in Surfside, FL

Robert Beauchamp, American (1923-1995) Untitled Hand signed lower right, titled verso. MIxed media oil painting on heavy art paper sight: 22 3/4 x 29 1/2 inches frame dimensions: 23 1/4 x 30 1/4 x 1 1/4 inches, metal frame with glazing Provenance: Private Collection. Frame inscribed 'Property of AT&T' Bears label from their corporate art collection. Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman...

Category

20th Century Neo-Expressionist Robert Beauchamp Art

Materials

Paper, Oil

1977 Robert Beauchamp 'Green Flame' Contemporary Green, Red, Black & White Serigra

1977 Robert Beauchamp 'Green Flame' Contemporary Green, Red, Black & White Serigra

By Robert Beauchamp

Located in Brooklyn, NY

Paper Size: 26.75 x 26.75 inches ( 67.945 x 67.945 cm ) Image Size: 24 x 24 inches ( 60.96 x 60.96 cm ) Framed: No Condition: A: Mint Shipping and Handling: We ship Worldwide...

Category

1970s Robert Beauchamp Art

Materials

Screen

American Neo Expressionist Woman with Camels Abstract Modernist Oil Painting
American Neo Expressionist Woman with Camels Abstract Modernist Oil Painting

American Neo Expressionist Woman with Camels Abstract Modernist Oil Painting

By Robert Beauchamp

Located in Surfside, FL

Hand signed lower right, titled verso. Blue Woman with Seated Camels MIxed media oil painting on heavy art paper Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman...

Category

20th Century Neo-Expressionist Robert Beauchamp Art

Materials

Paper, Oil

Large Surrealist Mixed Media Painting by Robert Beauchamp
Large Surrealist Mixed Media Painting by Robert Beauchamp

Large Surrealist Mixed Media Painting by Robert Beauchamp

By Robert Beauchamp

Located in Long Island City, NY

A mixed media work on paper by Robert Beauchamp from 1979. An abstract surrealist scene with figurative representations and expressionist colors. Artist: Robert Beauchamp Title: Un...

Category

1970s Surrealist Robert Beauchamp Art

Materials

Paper, Mixed Media

American Neo Expressionist "Wild Horses" Modernist Oil Painting
American Neo Expressionist "Wild Horses" Modernist Oil Painting

American Neo Expressionist "Wild Horses" Modernist Oil Painting

By Robert Beauchamp

Located in Surfside, FL

Signed lower left. Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman...

Category

20th Century Neo-Expressionist Robert Beauchamp Art

Materials

Paper, Oil

American Neo Expressionist "Wild Horses" Modernist Oil Painting
American Neo Expressionist "Wild Horses" Modernist Oil Painting

American Neo Expressionist "Wild Horses" Modernist Oil Painting

By Robert Beauchamp

Located in Surfside, FL

Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman...

Category

20th Century Neo-Expressionist Robert Beauchamp Art

Materials

Paper, Oil

Seated Lady in Green

Seated Lady in Green

By Robert Beauchamp

Located in Wiscasset, ME

Robert Beauchamp, a prominent figurative expressionist painter and art educator, was born in Denver, Colorado in 1923. He studied with Boardman Robinson at the Colorado Springs Fine ...

Category

1940s Modern Robert Beauchamp Art

Materials

Canvas, Oil

Untitled No. 2
Untitled No. 2

Untitled No. 2

By Robert Beauchamp

Located in Long Island City, NY

A large surrealist, mixed media painting by Robert Beauchamp from 1979. Artist: Robert Beauchamp Title: Untitled - II Year: c. 1979 Medium: Mixed Media on Paper, signed Paper ...

Category

1970s Surrealist Robert Beauchamp Art

Materials

Mixed Media, Paper

Untitled No. 1
Untitled No. 1

Untitled No. 1

By Robert Beauchamp

Located in Long Island City, NY

A mixed media work on paper by Robert Beauchamp from 1979. An abstract surrealist scene with figurative representations and expressionist colors. Artist: Robert Beauchamp Title:...

Category

1970s Surrealist Robert Beauchamp Art

Materials

Paper, Mixed Media

Robert Beauchamp art for sale on 1stDibs.

Find a wide variety of authentic Robert Beauchamp art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Robert Beauchamp in paint, paper, lithograph and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Robert Beauchamp art, so small editions measuring 20 inches across are available. Customers who are interested in this artist might also find the work of William (Bill) Alpert, Loren Munk, and Allie William Skelton. Robert Beauchamp art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $650 and tops out at $3,600, while the average work can sell for $2,800.

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