Rossana Orlandi Tables

This beautiful neoclassical style coffee table is made of brushed steel and brass. This is a large cocktail table, rounded on the corners with elegant Horse heads and shoes. This is ...

This is Carnevale Studio’s first acrylic collection of tables. Shown first on 1stdibs! This collection consist of a Coffee Table, Side Table & Bedside Table. Jessica had been work...

This reclaimed pine console table has a great patina, its legs are splayed in both length and width axis and it has two large drawers that can be pulled out from either side. Becaus...

An early 1960s chrome cocktail table designed by Charles Hollis Jones. The crome is polished chrome with black leather straps that protect the 1.25" thick acrylic top from touching ...

Monolithic stool/table made of transparent plastic, with a thickness that emphasises its geometric purity. A practical, functional and versatile accessory, for use anywhere in the ho...

XXX low table is shown here in the transparent pink, orange and yellow coloured glass, and in the small size of the two tables. Low table realized in transparent pink, orange and yel...

This is perhaps the Classic among the classics. Its ingeniously proportioned, distinctive form has made this height-adjustable table one of the most popular design icons of the 20th century. It is named after the summer house...

XXX low table is shown here in the transparent pink, orange and yellow coloured glass, and in the large size of the two tables. Low table realized in transparent pink, orange and yel...

Absolutely stunning dining table from the 80s. It is made of tessellated fossilized coral in a beautiful floral pattern. The colors are beige and salmon. The original owner (a furnit...

This high coffee and side-table comes with a base and top in Canaletto walnut, natural ash, ash stained black, intense blue or anthracite. The structure's body is made out of blown Murano glass, available in amber, blue-grey or smoke grey. Here you are shown the Mastea coffee table in the Canaletto walnut base finish and in the high size. If you are interested in the natural ash, ash stained black, anthracite ash or Intense blue base structures. Matteo Zorzenoni started to experiment with Murano glass in the 1970s and, even if the generations have changed, the glass is blown as it once was: it needs a master glassblower and two strong lungs. Working with this material every day is like revisiting a traditional dish. The ingredients are the same but there is something new in the taste. Matteo Zorzenoni's research is mainly focused on materials and their limits, aimed at discovering their potential. His projects have been exhibited at: Maxxi Museum in Rome, the Biennale of Art and Design in St. Etienne, the London Design Festival, the Venice Biennale. Matteo Zorzenoni was a professor at the IUAV in Venice, collaborates with the IED in Madrid and hosted a laboratory for Domaine de Boisbuchet (Vitra Design Museum). After a collaboration with Fabrica, Benetton Communication Research Center, he started a new project with Jaime Hayon, which is still ongoing. His research in the craft sector continues with projects for customers, including Cappellini, Mercedes Benz, Replay, Alcantara, Bosa Ceramiche...

This is perhaps the classic among the classics. Its ingeniously proportioned, distinctive form has made this height-adjustable table one of the most popular design icons of the 20th century. It is named after the summer house...

This is perhaps the Classic among the classics. Its ingeniously proportioned, distinctive form has made this height-adjustable table one of the most popular design icons of the 20th century. It is named after the summer house...