SHIN AZUMI Chairs

Mod Sono sculptural chair designed by Anacleto Spazzapan. Structure composed of Imbuia wood. Italy 1980s. Every item LA Studio offers is checked by our team of 10 craftsmen in our i...

Verner Panton's Vilbert chair is a colorful and geometric piece of furniture that reflects the designer’s innovative and playful style. It is made of four MDF sections coated with me...

This special chair Jenette, was designed by Fernando and Humberto Campana for Edra. Thanks to its flexible back, this chair molded in polyurethane with metal armor is a link between...

c. 1993. Designed by Andrea Branzi for Cassina. Sculptural Bentwood on metal frame.

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

Slipper chair by Edward Wormley for Dunbar. USA, circa 1950. Signed with brass tag. Features tufted back with piping. Original f...

Presenting a truly rare and exceptional piece of design history - the Child's Softech Chair, designed by the renowned David Rowland for Thonet...

Rare and unusual form not often seen, designed by George Mulhauser for Plycraft. Swivel upholstered chair in orange vinyl with bent ply shell, c...

Sculptural Arthur Umanoff chairs with signature rush back, slatted wood seat, and iron legs. Floating backrest. Look great from all angles. Good vintage condition. Five available. Pr...

The iconic Knotted Chair is a brilliant adult interpretation of the tiny chairs used to decorate a doll’s house, a visionary creation by designer Marcel Wan...

Early sculptural chairs by Arthur Umanoff. Chairs with signature rush back, slatted wood seat, and iron legs. Floating backrest. Look great from all angles. Good vintage condition. T...

The Triangle chair is part of the Steel Collection, a series inspired by Joan Miró’s paintings and Picasso’s harlequins with a monochromatic nod to t...