Sidney Guberman Art

Abstract, mixed mediums on black archival paper - Original one of a kind artwork - Artist Signature on back - Certificate of Authenticity provided Beautiful abstract organic shapes a...

Abstract mixed medium painting on archival 100% cotton rag paper. Unframed. - Original one of a kind artwork - Artist Signature on back - Certificate of Authenticity provided Why you...

Contemporary Abstract Painting on Canvas by Brittany Murphy Offered for sale is a colorful contemporary abstract painting on canvas by Brittany Murph...

Unusual abstract oil on board by Sidney Siegal (1913-1978), entitled 'Gift Box.' This stunning painting has rich warm tones that would brighten any room. and its 3d quality also adds...

Stunning contemporary abstract painting on canvas. Fabulous composition and gorgeous color combination. Signed Javier Barrionuevo.

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

A contemporary, abstract painting, "Welcoming the Wellspring" features colorful markings across a layered, creamy white mixed media background. It is an original work painted in 2022 by abstract expressionist artist Kara Greenwell. The contemporary painting features bold turquoise, navy, red, yellow and lime green geometric abstract shapes and gestural markings that sit atop layers of handmade paper and magazine pages obscured by white and cream acrylic paint. Hidden messages in graphite, charcoal and crayon play across the work's surface. Measuring 24 inches by 24 inches, this abstract painting is an ideally sized modern statement piece to adorn any wall. The artist continued the painting extending around the edges of this gallery wrapped canvas, ensuring visual interest from all angles. This contemporary abstract expressionist work is hand signed by the artist on both front and back and is sealed with Archival, UV-resistant varnish. The painting can be hung a nail or picture hook...

In Amid The Blue Waves color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype il...

Contemporary abstract painting on canvas by Murf Murphy. Offered for sale is a striking mixed-media painting by Marvin Murf Murphy. The artist has used ...

Grey & Tan Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer Heavily textured, expressive composition by Peter Witwer (American, 1928-1968). Over the top of a heavy base layer of plaster, Witwer has added various layers of oil paint, creating a massive amount of depth and texture. Sections of red peek out from underneath various shades of tan, grey, and black. Spots of blue and purple are used sparingly, hidden in the composition. Presented in a wood frame. Canvas size: 20"H x 40"W Frame size: 26.63"H x 46.63"W Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

Meyer studied art at University of Central Missouri, Indiana State University and received her degree in painting and drawing from Columbia College. She has had the privilege of havi...

In Beneath The Evening Moon color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monoty...