Stanley Brundage Art

Robert W. Petrick Coincidence Geometric Abstraction East Village NYC, 2022 acrylic on canvas New York, 2nd street studio Colorful geometric abstract ...

New Warning, 2020 Contemporary Art, Abstract Painting Acrylic and oil on canvas 130x130cm Signed and dated About the artist Adrian Gonzalez (Mexico, 1987). He graduated in Visual Arts from the Faculty of Arts and Design, UNAM (Universidad Autonoma de Mexico) in 2011. His work is part of the Sebastian Foundation Collection, Grupo Reforma and various private collections. He was a beneficiary of the FONCA “Young Creators” program in the specialty of Painting in the 2015/2016 edition. SOLO EXHIBITIONS 2020 - Dance Till U Drop. Pared Space. Galería Virtual. 2018 - SCROLL. Galería Plomo. México, D.F. 2016 - El aire de lo eventual. Galería Alterna. México, D.F. 2015 - Escenarios para habitar el mundo. Galería Luis Adelantado México. México, D. F. - El fin de la apariencia. Galería Central de la ENPEG La Esmeralda, CENART. México, D.F. 2012 - Patrones de la Realidad. Centro Cultural Periodista. México D. F. GROUP EXHIBITIONS 2021 - El Fin. The End Project Space. EU. Atlanta. 2019 - La Causa de las Causas. Museo de Arte Moderno. México, CDMX. 2018 - Pensamiento Especulativo. Fundación CALOSA. México, Guanajuato. - Creación en Movimiento. Jóvenes Creadores del FONCA. 2015 – 2016. Fotomuseo Cuatro Caminos. México, D.F. 2016 - Creación en Movimiento. Jóvenes Creadores del FONCA. 2015 – 2016. Capilla del Arte de la UDLAP. México, Puebla. - X Bienal Nacional de Pintura y Grabado “Alfredo Zalce”. MACAZ. México, Michoacán. - Parámetro 02. Arte Lumen. Museo de la Ciudad de México. México, D. F. - JUSTMAD 7. Feria de Arte Emergente. LASEDE/ Colegio Oficial de Arquitectos de Madrid. España, Madrid. - Efectos Especiales. Galería DIAGRAMA. México, D. F. 2015 - XI Bienal de pintura Joaquín Clausell...

"Water-Barge with Onlookers," is a two panel, abstract landscape painting by contemporary artist, Jennifer Blalack. Blalack's fascination with layere...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

One in a series of three abstract paintings made in 2023 by Amanda Andersen, initialed on the back. An array of loose geometric shapes: rectangles, triangles and circles converse wi...

"Pastel Geometric Landscape" is an abstract painting by Spanish artist Natalia Roman. It is a beautiful abstract architectural painting of unique blur...

Bold, large scale geometric abstract landscape with brilliant blue toned trees in an abstracted urban color-field setting by Erle Loran (American, 1905-1999). Unsigned. Estate stamp ...

Karli Henneman is a Los Angeles based artist exploring abstraction through a minimalist vocabulary of hard-edge lines, serene tonal shifts, and the interplay of positive and negative...

This diptych contains Field Patterns Blue alongside Field Patterns Blue and Pink. This diptych contains a sophisticated colour palette and considered use of negative space in her com...

Larry Zox Jean Jean, 1964 Signed, dated, and titled on the stretcher Liquitex on canvas 58 x 62 inches Provenance: Solomon & Co., New York Private Collection, NJ Estate of the above, 2023 Committed to abstraction throughout his career, Larry Zox played a central role in the Color Field discourse of the 1960s and 1970s. His work of the time, consisting of brilliantly colored geometric shapes in dynamic juxtapositions, demonstrated that hard-edge painting was neither cold nor formalistic. He reused certain motifs, but he did so less to explore their aspects than to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his essay for Zox’s solo exhibition at the Whitney Museum of American Art in 1973. By the 1970s, Zox was using a freer, more emotive method, while maintaining the autonomy of color, which increasingly became more important to him than structure in his late years. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler for the Gallery of Modern Art, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, Zox was represented in the inaugural exhibition of the Hirshhorn Museum, which owns fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University. While studying at the Des Moines Art Center, he was mentored by George Grosz, who despite his own figurative approach encouraged Zox’s forays into abstraction. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with the visiting fighters. He later established a studio in East Hampton, where he painted and fished including using a helicopter to spot fish. In the 1950s and early 1960s, Zox’s works were collages consisting of painted pieces of paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of intense hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. From 1962 to 1965, he produced his Rotation Series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack...

Flames of Love is an acrylic on canvas by artist Peggy Vineyard. It was completed in 2021. Flames of Love brings out the colors in this abstract/express...

This Guardian Angel almost vanishes into his background, but that was the most wonderful attribute of the Angels, they melted in with the environment. Only the piercing blue eyes & r...