Suzuki Goro

The rich tones of the stoneware clay come through the soft creamy glaze that drips over the surface like melted vanilla ice cream over red devil cake. This beautifully rendered ceramic vessel is perched on little decorative feet that poke out of the body of the piece. Of particular interest and commanding presence are the decorative forms attached to the top and sides. They twisted shapes of bent organic growth and provide endless entertainment for the creative imagination. American Post War and Contemporary Artist, Gawaine Dart...

Winton and Rosa Eugene are self-taught potters who have been creating award winning stoneware pottery together in South Carolina for over thirty-four years. Born and raised in Louisiana and South Carolina respectively, the couple made a second career in pottery making. Rosa is a retired nurse and Winton retired from a carpet installation business. He also served as an army paratrooper during the Vietnam War. Winton first learned to turn pots on a traditional kick wheel after being encouraged to do so by Rosa and their daughter Fredriana. A decade later, Rosa began coiling and glazing in collaboration with Winton. Today Winton creates pottery using an electric wheel and does most of the decorative work, while Rosa specializes in customizing and applying glazes and her repertoire includes a diverse range of types and colors. Rosa also produces large pieces of pottery including large bowls, vases, and decorative forms using the coiled method. Most of the Eugenes' pottery incorporates detailed decorative work including painted scenes and carved relief work. These decorative elements involve images from nature and the surrounding environment. As Winton says, “In two hundred years, I want these things about my daily life to stand out, so others will know this is where I worked and lived.” Their experiences growing up in Louisiana and South Carolina, along with many years living in Chicago, inform much of their work.   The couple received honorary doctoral degrees in Fine Art from the University of South Carolina. Their work has been exhibited in museums across the globe including China, Germany, and throughout the South. Their rare and highly collectible Tribute Jugs are a part of the ground breaking traveling exhibit The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, organized by the Virginia Museum of Fine Arts (VMFA) and curated by Valerie Cassel . The art exhibit proposes that the culture of the African American South, as defined by music and vernacular art, is the bedrock of American culture itself, with a strong influence on new art today. Works by the Eugenes are available at Neema Fine Art Gallery. Their Tribute Jugs are inspired by face jugs created by David Drake...

Winton and Rosa Eugene are self-taught potters who have been creating award winning stoneware pottery together in South Carolina for over thirty-four years. Born and raised in Louisiana and South Carolina respectively, the couple made a second career in pottery making. Rosa is a retired nurse and Winton retired from a carpet installation business. He also served as an army paratrooper during the Vietnam War. Winton first learned to turn pots on a traditional kick wheel after being encouraged to do so by Rosa and their daughter Fredriana. A decade later, Rosa began coiling and glazing in collaboration with Winton. Today Winton creates pottery using an electric wheel and does most of the decorative work, while Rosa specializes in customizing and applying glazes and her repertoire includes a diverse range of types and colors. Rosa also produces large pieces of pottery including large bowls, vases, and decorative forms using the coiled method. Most of the Eugenes' pottery incorporates detailed decorative work including painted scenes and carved relief work. These decorative elements involve images from nature and the surrounding environment. As Winton says, “In two hundred years, I want these things about my daily life to stand out, so others will know this is where I worked and lived.” Their experiences growing up in Louisiana and South Carolina, along with many years living in Chicago, inform much of their work.   The couple received honorary doctoral degrees in Fine Art from the University of South Carolina. Their work has been exhibited in museums across the globe including China, Germany, and throughout the South. Their rare and highly collectible Tribute Jugs are a part of the ground breaking traveling exhibit The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, organized by the Virginia Museum of Fine Arts (VMFA) and curated by Valerie Cassel . The art exhibit proposes that the culture of the African American South, as defined by music and vernacular art, is the bedrock of American culture itself, with a strong influence on new art today. Works by the Eugenes are available at Neema Fine Art Gallery. Their Tribute Jugs are inspired by face jugs created by David Drake...

ANDY WARHOL (after) Marilyn Purple-Red, 2010 Enamel on porcelain Edition of 49 51 x 51 cm (20.1 x 20.1 in.) Signed in glaze, numbered on the reverse on label In wooden box, accompani...

Winton and Rosa Eugene are self-taught potters who have been creating award winning stoneware pottery together in South Carolina for over thirty-four years. Born and raised in Louisiana and South Carolina respectively, the couple made a second career in pottery making. Rosa is a retired nurse and Winton retired from a carpet installation business. He also served as an army paratrooper during the Vietnam War. Winton first learned to turn pots on a traditional kick wheel after being encouraged to do so by Rosa and their daughter Fredriana. A decade later, Rosa began coiling and glazing in collaboration with Winton. Today Winton creates pottery using an electric wheel and does most of the decorative work, while Rosa specializes in customizing and applying glazes and her repertoire includes a diverse range of types and colors. Rosa also produces large pieces of pottery including large bowls, vases, and decorative forms using the coiled method. Most of the Eugenes' pottery incorporates detailed decorative work including painted scenes and carved relief work. These decorative elements involve images from nature and the surrounding environment. As Winton says, “In two hundred years, I want these things about my daily life to stand out, so others will know this is where I worked and lived.” Their experiences growing up in Louisiana and South Carolina, along with many years living in Chicago, inform much of their work.   The couple received honorary doctoral degrees in Fine Art from the University of South Carolina. Their work has been exhibited in museums across the globe including China, Germany, and throughout the South. Their rare and highly collectible Tribute Jugs are a part of the ground breaking traveling exhibit The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, organized by the Virginia Museum of Fine Arts (VMFA) and curated by Valerie Cassel . The art exhibit proposes that the culture of the African American South, as defined by music and vernacular art, is the bedrock of American culture itself, with a strong influence on new art today. Works by the Eugenes are available at Neema Fine Art Gallery. Their Tribute Jugs are inspired by face jugs created by David Drake...

ANDY WARHOL (after) Marilyn Orange-Pink, 2010 Enamel on porcelain Edition of 49 51 x 51 cm (20.1 x 20.1 in.) Signed in glaze, numbered on the reverse on label In wooden box, accompan...

ANDY WARHOL (after) Marilyn Silver, 2010 Porcelain Edition of 49 51 x 51 cm (20.1 x 20.1 in.) Facsimile signature in glaze, numbered on the reverse on label In wooden box, accompanie...

Winton and Rosa Eugene are self-taught potters who have been creating award winning stoneware pottery together in South Carolina for over thirty-four years. Born and raised in Louisiana and South Carolina respectively, the couple made a second career in pottery making. Rosa is a retired nurse and Winton retired from a carpet installation business. He also served as an army paratrooper during the Vietnam War. Winton first learned to turn pots on a traditional kick wheel after being encouraged to do so by Rosa and their daughter Fredriana. A decade later, Rosa began coiling and glazing in collaboration with Winton. Today Winton creates pottery using an electric wheel and does most of the decorative work, while Rosa specializes in customizing and applying glazes and her repertoire includes a diverse range of types and colors. Rosa also produces large pieces of pottery including large bowls, vases, and decorative forms using the coiled method. Most of the Eugenes' pottery incorporates detailed decorative work including painted scenes and carved relief work. These decorative elements involve images from nature and the surrounding environment. As Winton says, “In two hundred years, I want these things about my daily life to stand out, so others will know this is where I worked and lived.” Their experiences growing up in Louisiana and South Carolina, along with many years living in Chicago, inform much of their work.   The couple received honorary doctoral degrees in Fine Art from the University of South Carolina. Their work has been exhibited in museums across the globe including China, Germany, and throughout the South. Their rare and highly collectible Tribute Jugs are a part of the ground breaking traveling exhibit The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, organized by the Virginia Museum of Fine Arts (VMFA) and curated by Valerie Cassel . The art exhibit proposes that the culture of the African American South, as defined by music and vernacular art, is the bedrock of American culture itself, with a strong influence on new art today. Their work is featured at Neema Fine Art Gallery. Tribute Jugs are inspired by face jugs created by David Drake...

Winton and Rosa Eugene are self-taught potters who have been creating award winning stoneware pottery together in South Carolina for over thirty-four years. Born and raised in Louisiana and South Carolina respectively, the couple made a second career in pottery making. Rosa is a retired nurse and Winton retired from a carpet installation business. He also served as an army paratrooper during the Vietnam War. Winton first learned to turn pots on a traditional kick wheel after being encouraged to do so by Rosa and their daughter Fredriana. A decade later, Rosa began coiling and glazing in collaboration with Winton. Today Winton creates pottery using an electric wheel and does most of the decorative work, while Rosa specializes in customizing and applying glazes and her repertoire includes a diverse range of types and colors. Rosa also produces large pieces of pottery including large bowls, vases, and decorative forms using the coiled method. Most of the Eugenes' pottery incorporates detailed decorative work including painted scenes and carved relief work. These decorative elements involve images from nature and the surrounding environment. As Winton says, “In two hundred years, I want these things about my daily life to stand out, so others will know this is where I worked and lived.” Their experiences growing up in Louisiana and South Carolina, along with many years living in Chicago, inform much of their work.   The couple received honorary doctoral degrees in Fine Art from the University of South Carolina. Their work has been exhibited in museums across the globe including China, Germany, and throughout the South. Their rare and highly collectible Tribute Jugs are a part of the ground breaking traveling exhibit The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, organized by the Virginia Museum of Fine Arts (VMFA) and curated by Valerie Cassel . The art exhibit proposes that the culture of the African American South, as defined by music and vernacular art, is the bedrock of American culture itself, with a strong influence on new art today. Works by the Eugenes are available at Neema Fine Art Gallery. Their Tribute Jugs are inspired by face jugs created by David Drake...

ANDY WARHOL (after) Twenty Marilyn, 2010 Enamel on porcelain Edition of 49 51 x 51 cm (20.1 x 20.1 in.) Signed in glaze, numbered on the reverse on label In wooden box, accompanied by Certificate of Authenticity from the Rosenthal Studio in collaboration with The Andy Warhol Foundation for the visual Arts INC., New York. In excellent condition Framed Of all Andy Warhol's celebrity subjects, none seem more perfectly emblematic of how the artist perceived and synthesised America than Marilyn Monroe. Warhol saw in Monroe all the promise, beauty, sex symbol, a Hollywood product, the fame and tragedy that 1960s America was capable of realizing. In his Marilyn portraits – which he began shortly after Monroe's death, in August 1962 and taking on the suggestion of Henry Geldzahler - it's impossible to locate what one might call the truth of the subject. Based on Warhol's painting Marilyn Diptych, which belongs to the collection of the Tate Museum in London. Marilyn's repeated face in a grid, is a clear indicators of Warhol's conceptual commercial printing. Every Saturday night and Sunday morning, the young Andrew Warhola and his mother made a 3 mile walk to Saint John Chrysostom church, a small Byzantine Catholic church. In the church he saw the iconostasis, which was a grid with religious pictures...

Melanie Sherman Cup with Interior II (Hand-Painted, Gold Luster, Stereo, Chair, Flowers) Porcelaneous Stoneware, Underglaze, Glaze, Porcelain Paint, Hand-made Vintage Decals, Gold Lu...

ONE WEEK ONLY SALE The rich tones of the stoneware clay come through the soft creamy glaze that drips over the surface like melted vanilla ice cream over red devil cake. There are i...