Taras Yoom Wall Decorations

Salmeh and Sarah Moravvej founded MSS in 1999 with their headquarter located in Dubai. Their passion, energy and artistic expertise is the foundation of creating an ideal living and working environment. In the quest of adding special effects for their clients, MSS has launched the MSS Art collection. The Art of MSS are contemporary 3D art...

This is a digitally remastered print of a Louisiana Heron referenced from an Audubon Birds of America hand coloured print, originally from the 1800's ...

This extraordinary paean to Maxfield Parrish brings together an original, 1920s print featuring the "Dream Garden" mosaic in Philadelphia, with a recent, ...

This is a signed cat postcard by Louis Wain called "Love's Young Dream", originally posted in Edwardian England, in Brighton, 1907. The card is in a new fra...

This is a digitally remastered print of a Banana Palm referenced from a French print dating to circa 1843 Prints of this style were originally printed in black and white and then ...

Wonderful image after Michelangelo Fine Steel engraving. Published by Jones & Co. C.1850 Unframed.

Very fine old reproduction handcolored Map of Sud Carolina (South Carolina), the original from an early 19th century original by J. Drayton's Charte (1803) and the German Geographica...

Large Maxfield Parrish "Dream Light" Antique Art Deco Edison Mazda Calendar Top, Framed, c1920 Measures - 35.5"H x 23.25"W x 1.25"D

Wassily Kandinsky print professionally framed. Titled: In The Blue, original painted in 1925, a variety of geometrically inspired forms balan...

Abstract Blue and Green Modernist Lithograph, by Liana D'Urso, circa 1980's. It has been professionally framed in a black lacquered wooden frame u...

Signed on the bottom right Henry Picou. Charming mythological scene representing a round of nymphs, symbol of fertility and benevolence, wearing crowns of flowers and dancing in the middle of a wheat field. They are accompanied by playful winged cupids flying around them and throwing flowers. Author of genre and portrait scenes, Henry Picou has mainly distinguished himself, in the neo-Greek movement of the second half of the 19th Century, in the representation of allegorical paintings thanks to his delicate and colorful touch. Born on July 27th, 1824 in Nantes and died on July 17th, 1895 in Paris, Henry-Pierre Picou is an history, portrait and genre scenes painter, who has distinguished himself in the Neo-greek movement. Entering at twelve years old in the workshop of the painter Paul Delaroche, he then follows Charles Gleyre’s teaching in the Ecole Royale des Beaux-Arts de Paris. In Paris, he becomes friend with young painters among which Jean-Léon Gérôme, Gustave Boulanger and Jean-Louis Hamon. This group, who is passionate about recent discoveries about Roman and Greek antiquity, starts exposing in the Salon in 1847, and Jean-Léon Gérôme’s painting, le Combat de coqs, awarded with a gold medal, allows them to be noticed and devotes Gérôme as the leader of this new Neo-greek movement. This artistic movement quickly becomes fashionable, also influencing the decorative arts and the architecture. Henry Picou wins the second prize of Rome in 1853 for his painting Jésus chassant les marchands du Temple, preserved today in the Ecole nationale supérieure des Beaux-Arts in Paris. When Neo-greek artists are not so popular anymore, Henry Picou devotes himself to a career as a portraitist and genre scene painter, and exposes to the Salon paintings...

Vintage framed print on board of Dreams by Vittorio Matteo Corcos, originally painted in 1896. Features a woman in Victorian attire sitting on a bench next to her books and hat, dreaming / stairing into the distance. Vittorio Matteo Corcos (4 October 1859 – 8 November 1933)[1] was an Italian painter, known for his portraits. Many of his genre works depict winsome and finely dressed young men and women, in moments of repose and recreation. Biography He was born to Jewish parents, Isacco and Giuditta Baquis, in Livorno. He trained at the Academy of Fine Arts of Florence under Enrico Pollastrini. Between 1878 and 1879 he worked under Domenico Morelli in Naples.[2] He then traveled to Paris where he met Léon Bonnat, and signed a contract with the Goupil & Cie, he was able to supplement his income as a portrait painter with illustrations for magazines. He frequented the circles of Giuseppe...