Theodorus Danckerts Art

"Saint Michael Fighting the Dragon (B. 72; M., Holl. 174)" This engraving is a print from the Latin publication of the text of the Apocalypse of 1511. Dürer’s series dedicated to the Apocalypse comprises 15 engravings and a title sheet. The master worked on this series from 1496 to 1498. In 1511, Dürer repeated his Latin edition and provided it with a prohibition on the series being copied. The Apocalypse was intended for extremely varied levels of society. All of the sheets are united by the theme of the battle between good and evil. The work refers to a quote from the Revelation of St. John the Divine: “And there was war in heaven...

Antique map titled 'Kaart van de Zee Kust van Syrië (..)'. Old map of the coast of Syria and Phoenicia. Originates from the first Dutch editon of an interesting travel account of...

8-foot "Thank You" monoprint in oil with collage, engraving and embossment on handmade paper by artist Mel Bochner from Two Palms Publishing . Signed and dated in graphite on front l...

17th century Italian Gravure/Cartography Le Theatrum statuum Regiae Celsitudinis Sabaudiæ Ducis or at Theatrum Statum Sabaudiæ, is a representative and iconographic representation f...

This map, titled "ITALIA, Sicilia, Sardinia, Corsica," represents the Italian Peninsula along with the islands of Sicily, Sardinia, and Corsica. Inset maps offer detailed views of "R...

Alexandre Arrechea´s work remains caught in an endless uphill climb towards a new representational framework. The pieces he produces serve as a warning of our own limits and how pret...

Le Chasseur Fortune Engraving framed Bez.: C. Van Falenz pinixit // Jac. Ph. Le Bas Sculp. // a Paris chez Le Bas graveur du Cabinet du Roy au bas de la rue de la Harpe...

Engraving after Paul Jouve From the work of Terrasse in 1948 490 copies Size etching: 23 x 18 cm Frame: 45 x 49 cm

Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...

Alexandre Arrechea´s work remains caught in an endless uphill climb towards a new representational framework. The pieces he produces serve as a warning of our own limits and how pret...

James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...

Antique map titled 'Nieuwe Kaart van Italie na de Nieuwste waarnemingen van de l'Isle en andere.' Attractive detailed map showing Italy as well as Corsica, Sardinia, Minorca, Croat...