Tinatin Kilaberidze Chairs

Late 19th century very unique English side chair in solid oak with carved back in floral motif. Two long vertical open slats (one to each side of the back) add to the unique design o...

Vintage dining chairs by Johnson Chair Co Chicago reminiscent of Jens Risom design with solid walnut wood frame construction. Johnson Chair Co is the...

Side chairs model Cab, designed by Mario Bellini for Cassina. Wonderful 1980 examples with buttery soft, newly reconditioned, elephant hide grey leather perfectly worn in from many y...

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

The Tamay Chair brings together personality and subtlety, based on simple lines and harmonious proportions, which underscore the natural beauty of the soli...

Mid Century Walnut Dining Chair This chair measures: 24 wide x 20 deep x 34 inches high, with a seat height of 18.5 and arm h...

A low fireside chair (chauffeuse) or stool in stained oak attributed to Charles Duduouyt, with turned, truncated cone-shaped legs floating over rece...

Thomasville walnut dining chairs - set of 6 Each armless chair measures: 23 wide x 27 deep x 42 high, with a seat height of 18 inches. Each capt...

Mart Stam model 'A2-1', oak, rush and rope, The Netherlands, 1948. Executed in 1948, this dining chair by Dutch modernist designer and architect Mart Stam (1899-1986) boasts a rust...

Ono is a classic piece of Swiss design and the lightest of all wood chairs, weighing only 12.5 lbs (5.7 kg). Designed by This Weber. Manufactured with care from American Walnut wood...

A pair of stackable chairs designed by Pascal Mourgue and manufactured by Artelano in Paris in the early 1990s. Simple and understated yet curvy and sexy, the Rio chairs...

Shaker inspired wood side chair with comfortable contoured backrest. Option for a plain wooden seat pan or a seat pan with a low profile leather or shearling pad. This chair's simplicity makes it versatile to work perfectly in many different environments. Shown here: - Walnut chair with shearling seat - Walnut chair and black leather seat - Walnut chair and plain wooden seat pan - White oak chair...