Tm Gratkowski Art

This layered paper collage and drawing artwork titled "Mass Study III" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood panel. Usin...

Colorful abstract contemporary collage sculpture that incorporates pages from 1960 Sears catalogues, cardboard, wood, concrete, acrylic paint, and wood glue. The bright red sculpture...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and...

Jean-Michel Basquiat Tony Shafrazi Gallery 1999: 
Rare limited edition 1999 hardcover Basquiat monograph published on the occasion of a key posthumous Basquiat exhibition held at Ton...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Claude Lorrain landscape with the temptation of Saint Anthony .Richard Earlom aquatint c1817 by Lorrain, Claude le/Earlom, Richard Country...

A contemporary, abstract painting, "Welcoming the Wellspring" features colorful markings across a layered, creamy white mixed media background. It is an original work painted in 2022 by abstract expressionist artist Kara Greenwell. The contemporary painting features bold turquoise, navy, red, yellow and lime green geometric abstract shapes and gestural markings that sit atop layers of handmade paper and magazine pages obscured by white and cream acrylic paint. Hidden messages in graphite, charcoal and crayon play across the work's surface. Measuring 24 inches by 24 inches, this abstract painting is an ideally sized modern statement piece to adorn any wall. The artist continued the painting extending around the edges of this gallery wrapped canvas, ensuring visual interest from all angles. This contemporary abstract expressionist work is hand signed by the artist on both front and back and is sealed with Archival, UV-resistant varnish. The painting can be hung a nail or picture hook...

Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...

Contemporary botanical mixed-media study, découpage, oil and acrylic on board by Dutch artist Menno Modderman, signed and dated 2022 to the bottom lef...

Original 30in x 20in drawing on paper mounted to wood panel by Austin-based Texas artist Sophie Roach. Sophie Roach is a self-taught artist and illustrator based in Austin, TX. She discovered her passion for compulsive drawing when she was supposed to be paying attention to lectures at the University of Washington. By using familiar shapes, patterns and her own intuition, Roach has created a unique visual language based on spontaneity and rhythm. Her abstract style is playful yet austere, extremely detailed and often vibrantly colored. Her client list includes, among others, Nike, Converse, Complex, Fiat, IBM, Kit & Ace, Austin City Limits...

"As an African-American artist in today’s world, I embody the vast differences found in our collective backgrounds. I view them as cultural assets. We are always self discovering and these self discoveries take us in surprising directions. We must gain strength from what we learn from each other as well as listen to that persistent, ever present, intuitive self. The connection of one’s own rich heritage and person growth will travel into the inevitable and critical connection between African Americans and Africa. These connections are rich and very important. They Exist! My work, I hope, will serve as a creative connection between the African diaspora and western culture. It is this connection that cause my creative forces to react." Janice Frame...

Drawing on the cultural and geographic influences of his California roots, Greg Miller explores images of the American urban and rural landscape of the mid-twentieth century. The wor...