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Trent Jansen Bowls and Baskets

Australian

Designer Trent Jansen is at the forefront of design anthropology, a furniture and interior design movement in which designers and anthropologists work closely to produce products informed by the symbolism and visual principles of other cultures.

Each piece he designs has a rough, primal energy derived from a variety of techniques, whether incorporating scales into the surface of a side table or suggesting a spider’s shape through the form of a bench. Jansen holds immense respect for heritage, reverently and conscientiously embedding cultural identity and history in his pieces. 

Jansen grew up in the small town of Kiama on the southeast Australian coast. He began his studies at the Industrial Design School of the University of Alberta in Canada and then transferred to the College of Fine Arts at the University of New South Wales, where he received his bachelor’s degree in design. He later earned a PhD from the University of Wollongong

He then worked under Dutch designer Marcel Wanders in Amsterdam. In 2004, Jansen returned to Australia and opened his design studio in Sydney. Eventually, he relocated to Thirroul on the southern coast of Australia’s New South Wales.

Jansen has exhibited his work in solo and group shows worldwide, including at the National Gallery of Victoria, Australia, and venues in Singapore, Beijing and Milan. His awards include the 2008 Bombay Sapphire Design Discovery Award, the Australia Council for the Arts “Project Funding” Award in 2019 and 2017 and a 2021 Design Files + Laminex Design Award.

Today, Jansen continues to design new pieces and create outstanding works of furniture out of his studio in Thirroul.

On 1stDibs, find an intriguing array of Trent Jansen seating, tables, storage pieces and more.

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Creator: Trent Jansen
'Partu' New Zealand Leather Small Vessel by Trent Jansen & Johnny Nargoodah
By Trent Jansen
Located in Beverly Hills, CA
‘Partu’ (2020) is the Walmajarri word for ‘skin’ and is Johnny Nargoodah and Trent Jansen's latest collaborative project experimenting with this combination of disparate sensibilitie...
Category

2010s Australian Trent Jansen Bowls and Baskets

Materials

Aluminum

'Partu' New Zealand leather Medium Vessel by Trent Jansen & Johnny Nargoodah
By Trent Jansen
Located in Beverly Hills, CA
‘Partu’ (2020) is the Walmajarri word for ‘skin’ and is Johnny Nargoodah and Trent Jansen's latest collaborative project experimenting with this combination of disparate sensibilitie...
Category

2010s Australian Trent Jansen Bowls and Baskets

Materials

Aluminum

Scandinavian Leather Saddle Vessel Tall by Trent Jansen & Johnny Nargoodah
By Trent Jansen
Located in Beverly Hills, CA
Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectable furniture since they met in Johnny’s home town of Fitzroy Crossing, as part of Fremantle Art Centre’s ‘In Cahoots’ project in 2016. This collection - Saddle (2020) gains its name from the first sketch that Johnny made for this collection, an elongated saddle that led to experiments in stretching supple Scandinavian upholstery leather between geometric timber and steel forms to generate new, complex transitioning forms. Sketch exchanges over an 18-month period eventually yielded an entire collection built on this beautiful capability of leather to stretch between forms and give shape to the space in-between objects. Trent Jansen & Johnny Nargoodah Partu (Skin) Collection Saddle Vessel Tall...
Category

2010s Australian Trent Jansen Bowls and Baskets

Materials

Brass

Scandinavian Leather Saddle Vessel Long by Trent Jansen & Johnny Nargoodah
By Trent Jansen
Located in Beverly Hills, CA
Johnny Nargoodah and Trent Jansen have been collaborating in the design and crafting of collectable furniture since they met in Johnny’s home town of ...
Category

2010s Australian Trent Jansen Bowls and Baskets

Materials

Brass

'Partu' New Zealand leather Large Vessel by Trent Jansen & Johnny Nargoodah
By Trent Jansen
Located in Beverly Hills, CA
‘Partu’ (2020) is the Walmajarri word for ‘skin’ and is Johnny Nargoodah and Trent Jansen's latest collaborative project experimenting with this combination of disparate sensibilitie...
Category

2010s Australian Trent Jansen Bowls and Baskets

Materials

Aluminum

Hairy Wild Man from Botany Bay Bowl Black by Trent Jansen
By Trent Jansen
Located in Beverly Hills, CA
Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...
Category

21st Century and Contemporary Australian Trent Jansen Bowls and Baskets

Materials

Aluminum

Pankalangu Bowl
By Trent Jansen
Located in Beverly Hills, CA
Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...
Category

21st Century and Contemporary Australian Trent Jansen Bowls and Baskets

Materials

Aluminum

Hairy Wild Man from Botany Bay Bowl Grey by Trent Jansen
By Trent Jansen
Located in Beverly Hills, CA
Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history...
Category

21st Century and Contemporary Australian Trent Jansen Bowls and Baskets

Materials

Aluminum

Hairy Wild Man from Botany Bay Bowl White by Trent Jansen
By Trent Jansen
Located in Beverly Hills, CA
Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history...
Category

21st Century and Contemporary Australian Trent Jansen Bowls and Baskets

Materials

Aluminum

Pankalangu Bowl
By Trent Jansen
Located in Beverly Hills, CA
Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...
Category

21st Century and Contemporary Australian Trent Jansen Bowls and Baskets

Materials

Aluminum

Hairy Wild Man from Botany Bay Bowl Grey by Trent Jansen
By Trent Jansen
Located in Beverly Hills, CA
Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...
Category

21st Century and Contemporary Australian Trent Jansen Bowls and Baskets

Materials

Aluminum

Hairy Wild Man from Botany Bay Bowl White by Trent Jansen
By Trent Jansen
Located in Beverly Hills, CA
Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...
Category

21st Century and Contemporary Australian Trent Jansen Bowls and Baskets

Materials

Aluminum

Hairy Wild Man from Botany Bay Bowl Black by Trent Jansen
By Trent Jansen
Located in Beverly Hills, CA
Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonization. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...
Category

21st Century and Contemporary Australian Trent Jansen Bowls and Baskets

Materials

Aluminum

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Trent Jansen bowls and baskets for sale on 1stDibs.

Trent Jansen bowls and baskets are available for sale on 1stDibs. These distinctive items are frequently made of metal and are designed with extraordinary care. There are many options to choose from in our collection of Trent Jansen bowls and baskets, although brown editions of this piece are particularly popular. If you’re looking for additional options, many customers also consider bowls and baskets by and Henry Wilson. Prices for Trent Jansen bowls and baskets can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $290 and can go as high as $2,960, while a piece like these, on average, fetch $700.

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