Skip to main content

Trent Jansen Serving Bowls

Australian

Designer Trent Jansen is at the forefront of design anthropology, a furniture and interior design movement in which designers and anthropologists work closely to produce products informed by the symbolism and visual principles of other cultures.

Each piece he designs has a rough, primal energy derived from a variety of techniques, whether incorporating scales into the surface of a side table or suggesting a spider’s shape through the form of a bench. Jansen holds immense respect for heritage, reverently and conscientiously embedding cultural identity and history in his pieces. 

Jansen grew up in the small town of Kiama on the southeast Australian coast. He began his studies at the Industrial Design School of the University of Alberta in Canada and then transferred to the College of Fine Arts at the University of New South Wales, where he received his bachelor’s degree in design. He later earned a PhD from the University of Wollongong

He then worked under Dutch designer Marcel Wanders in Amsterdam. In 2004, Jansen returned to Australia and opened his design studio in Sydney. Eventually, he relocated to Thirroul on the southern coast of Australia’s New South Wales.

Jansen has exhibited his work in solo and group shows worldwide, including at the National Gallery of Victoria, Australia, and venues in Singapore, Beijing and Milan. His awards include the 2008 Bombay Sapphire Design Discovery Award, the Australia Council for the Arts “Project Funding” Award in 2019 and 2017 and a 2021 Design Files + Laminex Design Award.

Today, Jansen continues to design new pieces and create outstanding works of furniture out of his studio in Thirroul.

On 1stDibs, find an intriguing array of Trent Jansen seating, tables, storage pieces and more.

8
to
4
8
8
8
8
8
8
8
8
6
8
8
55
47
33
33
32
Creator: Trent Jansen
Hairy Wild Man from Botany Bay Bowl Black by Trent Jansen
By Trent Jansen
Located in Beverly Hills, CA
Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...
Category

21st Century and Contemporary Australian Trent Jansen Serving Bowls

Materials

Aluminum

Pankalangu Bowl
By Trent Jansen
Located in Beverly Hills, CA
Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...
Category

21st Century and Contemporary Australian Trent Jansen Serving Bowls

Materials

Aluminum

Hairy Wild Man from Botany Bay Bowl Grey by Trent Jansen
By Trent Jansen
Located in Beverly Hills, CA
Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history...
Category

21st Century and Contemporary Australian Trent Jansen Serving Bowls

Materials

Aluminum

Hairy Wild Man from Botany Bay Bowl White by Trent Jansen
By Trent Jansen
Located in Beverly Hills, CA
Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history...
Category

21st Century and Contemporary Australian Trent Jansen Serving Bowls

Materials

Aluminum

Pankalangu Bowl
By Trent Jansen
Located in Beverly Hills, CA
Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...
Category

21st Century and Contemporary Australian Trent Jansen Serving Bowls

Materials

Aluminum

Hairy Wild Man from Botany Bay Bowl Grey by Trent Jansen
By Trent Jansen
Located in Beverly Hills, CA
Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...
Category

21st Century and Contemporary Australian Trent Jansen Serving Bowls

Materials

Aluminum

Hairy Wild Man from Botany Bay Bowl White by Trent Jansen
By Trent Jansen
Located in Beverly Hills, CA
Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...
Category

21st Century and Contemporary Australian Trent Jansen Serving Bowls

Materials

Aluminum

Hairy Wild Man from Botany Bay Bowl Black by Trent Jansen
By Trent Jansen
Located in Beverly Hills, CA
Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonization. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...
Category

21st Century and Contemporary Australian Trent Jansen Serving Bowls

Materials

Aluminum

Related Items
Travertine Eclipse Bowl
By Kiwano Concept
Located in EINDHOVEN, NB
Stunning, aesthetic, timeless are words that can be used to describe this elegant and modern travertine Eclipse bowl from Kiwano. Expertly crafted and finished by hand, our travertin...
Category

2010s Dutch Modern Trent Jansen Serving Bowls

Materials

Travertine

Travertine Eclipse Bowl
Travertine Eclipse Bowl
H 3.15 in Dm 11.82 in
Hand Carved Marble Swivel Bowl
Located in New York, NY
A hand carved marble floral bowl with a swivel base. Ornately carved, the bowl gyrates on its base. A singular, elegant addition to any coffee table...
Category

1990s Indian Anglo Raj Trent Jansen Serving Bowls

Materials

Marble

Hand Carved Marble Swivel Bowl
Hand Carved Marble Swivel Bowl
H 6 in W 14 in D 14 in
Pink Marble Narrow Bowl
By Kiwano Concept
Located in EINDHOVEN, NB
Stunning, aesthetic, timeless are words that can be used to describe this elegant and modern pink marble narrow bowl from Kiwano. Expertly crafted and finished by hand, our traverti...
Category

2010s Dutch Modern Trent Jansen Serving Bowls

Materials

Travertine

Pink Marble Narrow Bowl
Pink Marble Narrow Bowl
H 2.96 in W 10.24 in D 10.24 in
Silver Travertine Narrow Bowl
By Kiwano Concept
Located in EINDHOVEN, NB
Stunning, aesthetic, timeless are words that can be used to describe this elegant and modern travertine bowl from Kiwano. Expertly crafted and finished by hand, our travertine bowls ...
Category

2010s Dutch Modern Trent Jansen Serving Bowls

Materials

Travertine

Silver Travertine Narrow Bowl
Silver Travertine Narrow Bowl
H 2.96 in W 10.24 in D 10.24 in
Travertine Narrow Bowl
By Kiwano Concept
Located in EINDHOVEN, NB
Stunning, aesthetic, timeless are words that can be used to describe this elegant and modern travertine bowl from Kiwano. Expertly crafted and finished by hand, our travertine bowls ...
Category

2010s Dutch Modern Trent Jansen Serving Bowls

Materials

Travertine

Travertine Narrow Bowl
Travertine Narrow Bowl
H 2.96 in W 10.24 in D 10.24 in
Waterford Center Bowl
By Waterford Crystal
Located in Hudson, NY
A finely cut and polished crystal regency style Waterford Louise Kennedy bowl . The Regency shape is a time-honored style for good English cut crystal a...
Category

1970s Vintage Trent Jansen Serving Bowls

Materials

Crystal

Waterford Center Bowl
Waterford Center Bowl
H 4 in W 13.75 in D 10 in
Silver Travertine Bowl XL
By Kiwano Concept
Located in EINDHOVEN, NB
A substantial silver travertine bowl with unique structure rests atop a pedestal for a grand presentation of fruits and vegetables. Due to the nature of the material, each piece ...
Category

2010s Dutch Modern Trent Jansen Serving Bowls

Materials

Travertine

Silver Travertine Bowl XL
Silver Travertine Bowl XL
H 9.85 in Dm 9.85 in
Travertine Bowl With Lid
Located in EINDHOVEN, NB
Stunning, aesthetic, timeless are words that can be used to describe this elegant and modern travertine bowl from Kiwano. Expertly crafted and finished by hand, our travertine vases ...
Category

2010s Dutch Modern Trent Jansen Serving Bowls

Materials

Marble

Travertine Bowl With Lid
Travertine Bowl With Lid
H 3.35 in Dm 9.85 in
Crystal Bowl, Poland, 1960s
Located in Chorzów, PL
Crystal bowl, Poland, 1960s. Dimensions: Height 12 cm, width 25 cm, depth 13 cm.              
Category

1960s Polish Mid-Century Modern Vintage Trent Jansen Serving Bowls

Materials

Crystal

Crystal Bowl, Poland, 1960s
Crystal Bowl, Poland, 1960s
H 4.73 in W 9.85 in D 5.12 in
Broccoli Fruit Bowl, by Marco Zanini from Memphis Milano
By Memphis Group, Marco Zanini, Memphis Milano
Located in La Morra, Cuneo
Ceramic three-level fruit bowl originally designed by Marco Zanini in 1985 for Memphis Milano. The three geometrical shapes in three colors complete the idea of a trilogy. Marco Zan...
Category

21st Century and Contemporary Italian Modern Trent Jansen Serving Bowls

Materials

Ceramic

Bowl 'Candara' by Lino Sabattini, Italy, 1970
By Lino Sabattini, Sabattini Argenteria
Located in Albano Laziale, Rome/Lazio
A bowl with the name Candara with a simplistic and iconic design by renowned italian designer Lino Sabattini from circa 1970. The condition is good albeit with some wear (see picture...
Category

Mid-20th Century Italian Mid-Century Modern Trent Jansen Serving Bowls

Materials

Silver Plate

Bowl 'Candara' by Lino Sabattini, Italy, 1970
Bowl 'Candara' by Lino Sabattini, Italy, 1970
H 5.52 in W 10.63 in D 12.21 in
Brazilian Jacaranda Rosewood Bowl by Jac-Arte
By Jean Gillon
Located in Fort Lauderdale, FL
Vintage Brazilian modern bowl crafted in solid Jacaranda Rosewood by Jac-Arte. Maker: Jac Art Year: 1960s Origin: Brazil Style: Mid Century Modern Dimensions: 9.5" wid...
Category

Mid-20th Century Brazilian Mid-Century Modern Trent Jansen Serving Bowls

Materials

Jacaranda, Rosewood

Trent Jansen serving bowls for sale on 1stDibs.

Trent Jansen serving bowls are available for sale on 1stDibs. These distinctive items are frequently made of metal and are designed with extraordinary care. There are many options to choose from in our collection of Trent Jansen serving bowls, although gray editions of this piece are particularly popular. Prices for Trent Jansen serving bowls can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $290 and can go as high as $700, while a piece like these, on average, fetch $700.

Recently Viewed

View All