Veryl Goodnight Furniture

Bronze sculpture by Artiss Dimensions: L 67 x W 30 x H 57 cm Materials: Mlachite, Bronze Artiss is named from artist, whose two -S" stands for natural gem and natural mother shell. ...

A copper sculpture by Luciano Palmieri 1987s Aerosol painted. Named : " Vasqua " Memphis Style Signed under

1984 Erte limited edition "Angel" bronze sculpture by Romain de Tirtoff. Comes with black pedestal dimensions: Height 42.5 inches Width 13 inches Depth 21 inches.

A very nice, high quality bronze horse sculpture with a gorgeous aged patina. Great for the floor, table top, fireplace mantle.

EMMANUEL DE SANTA COLOMA [AFTER] French, 1829-1886 "Cobesse et son Groom" Medium-brown patinated bronze Signed front left corner "SANTA COLOMA" cast circa 1900 Item # 204PAM05Q ...

JULES BENNES French, fl. late 19th to early 20th century "The Race" Medium-brown nuanced patina on sand-cast bronze Signed in cast "J. Bennes" Item # 112PZE03S A remarkable fin...

Cast bronze toy horse on four wheels. Reminiscent of early 19th century Indian toys, these pieces were often left as offering in temples for children to find. The gift of the horse t...

This is a large and patinated bronze figure of a horse. It is almost life-like and has great pony details from head to tail. No visible signature.

A bronze figure representing Demosthenes (384-322 BC), a Greek statesman and orator. The sculpture is based on a Roman copy of an original Greek statue. The chocolate-brown patina of...

A.E. DUBUCAND French, fl. 1883-1890 A Horse and Jockey Medium-brown and parcel gilt patinated sand-cast bronze Signed in base "AE. DUBUCAND FILS" Item # 202VHP20L An exceedingly...

A verdigris bronze model fragment of a standing horse after the original statue at the Acropolis. Mounted on a stepped marble plinth

PIERRE JULES MÊNE French, 1810-1879 "Cheval Libre no. 1" (The Free Horse) Sand-cast and patinated bronze cast signature "P.J. MÊNE" atelier Mêne-Cain, cast circa 1900 Item # 308KNM08Q Cast from an early mold with brilliant surface texture captured directly from the wax and transferred to the bronze, the present example is an atelier Mêne-Cain cast circa 1879-1908. It features a lively surface that is finished in a very dark brown patina with reddish undertones, the darker chemical patina being captured in the slashes and cuts of the sculptor's stylus that remain captured throughout the flesh of the stallion. It remains in an exquisite state of preservation throughout with the original patina sealed under a glowing wax layer. The underside shows the horse joined thorugh the base with large threaded rods tightened with torch-cut nuts. The model is listed in Mêne's catalogue as no. 39 and it is an individual portrait of the stallion separated out from his most celebrated L'Accolade with some slight alterations to the horse's pose make the figure more appropriate as a stand-alone work. The dramatic pose is highly Romantic and reminiscent of the posturing and composition found in the brilliant equestrian portrait...