Walter Yovaish

Very sophisticated ceramic jug designed and made by Klaas Mobach for ‘Mobach Utrecht’ in the 1940s with black and blue reduced fired glaze. Execution Mo...

Lovely matt green glazed colored tea pot by Upsala Ekeby in 1930s Sweden. Round delicate ball shaped design with a yellow half circled handle and spout. Good vintage condition and pe...

Great authentic and rare piece of pottery from the Provence. Beautiful weathered and an amazing color. Imperfections help authenticate this water cruche as it was an utilitarian type...

An unusual black and white ceramic vase, hand-painted by Mancioli, Italy, circa 1960s.

A hand thrown ceramic vase with nice form and glaze. The speckled glaze has a great color and texture. A nice accent piece that will work in a variety of decors. Signed D. Murray, 1...

This elegant antique jar was hand-crafted in Spain circa 1760; round in shape with narrow base and neck, the vessel features a rolled rim at the top accented with a mustard color gla...

A rare ceramic vase by F.Carlton Ball.

Pair of Claudio Ferri ceramic vase, Italy, 1950s Measures: Left vase diameter 12 x height 41 cm. Right vase diameter 14 x height 32 cm.

An unusual and beautiful lava style glazed ceramic vase by Trude Carstens. A note about the potter: "In 1892 brothers Christian Hinrich Carstens and Ernst Carstens opened a ceramics...

Large ceramic vase made in Germany by Cartens in the 1960s with a very beautiful Bamboo design. Carstens only produced copies in limited amounts of each design. Stamped underneath ...

Organic Vase, 2015, (Ceramic, C. 12.1 in. h x 7.5 in. d, Object No.: 3389). Turi Heisselberg Pedersen has, all through her career, strived to develop the vessel as abstract form and as an independent sculptural object. As Turi notes “working in clay is to me connected with many underlying cultural bound references, but also strongly connected to nature. The very process of building in clay is a process from nature to culture. We have an inherent understanding of beauty and design evolved in thousands of years of visual impressions from our cultural history, but especially also from nature. In this context, I am aiming to create a visual and emotional reading of the objects, working with shape, rhythm, volume, movement, and texture”. In the interplay between culture and nature, Turi’s works are inspired by geological structures and crystal formations, but also by architecture, the edged rendering of a computer drawing or folded paper shapes. Most of her faceted shapes seem to have a seed of coincidence or unplanned development, reminding one of crystal formations growing in irregular clusters.? Heisselberg Pedersen’s sculptures are hand-modeled from stoneware and glazed with slip-glazes, which gives the works a stone-like, dry surface with a rich texture. Some of Turi’s designs...

Mid-century squat pottery with abstract glaze.