Wilfredo Calvo-Bono (BONO) Paintings

Grey & Tan Abstract Expressionist Textural Mid-Century Abstract by Peter Witwer Heavily textured, expressive composition by Peter Witwer (American, 1928-1968). Over the top of a heavy base layer of plaster, Witwer has added various layers of oil paint, creating a massive amount of depth and texture. Sections of red peek out from underneath various shades of tan, grey, and black. Spots of blue and purple are used sparingly, hidden in the composition. Presented in a wood frame. Canvas size: 20"H x 40"W Frame size: 26.63"H x 46.63"W Unsigned, but was acquired with a collection of the artist's work. Provenance: Without a will and a family that had little interest in his art, nearly all of his possessions and close to 100 paintings were turned over to SF’s Conservators Office. His friend, Albert Richard Lasker, purchased all of Peter’s possessions (including the art) and has taken care of them until this day, always sensing there was something remarkable about the collection. Wanting Peter’s work to finally be seen, Richard came to Lost Art Salon with Peter’s story after reading about the new gallery in a July, 2005 issue of the SF Chronicle. Born George Peter...

Meyer studied art at University of Central Missouri, Indiana State University and received her degree in painting and drawing from Columbia College. She has had the privilege of havi...

Abstract geometric painting inspired by the architectural principles of Adolf Loos and the De Stijl art of Piet Mondrian "Loos", painted by Hudson Valley artist, Joseph Maresca in 2...

Mixed media on canvas 78.79 x 86.60 in unstretched

Daniel Pailes-Friedman artist statement Painting is a meditative process. It begins with preparing a canvas and ends when there is nothing left to resolve. A composition starts w...

Control is a painting made by Evelyne Ballestra, a French contemporary artist. This decoration is an abstract golden tons expressionist painting with some Klein Blue patterns. Bal...

Art pieces of Giorgi Vepkhvadze are Abstract expressionism for modern interior designs for Residential and Commercial spaces. Well suited for New York Apartments and Houses. Artist g...

The artist mentioned that the painting can be hung horizontally or vertically. The painting comes with a certificate of authenticity and a letter of appraisal. An original piece, o...

Oil on canvas. Signed lower right with unique thick brush strokes all over the canvas.

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Oil on canvas. In very good condition with bright colors. Provenance: Manufacturers Hanover Trust Company, New York, with the label verso; private collection, New York.

Stephanie Peek's "Uniform Language" Camo paintings showcasing an assortment of worldwide camouflage (both historic and contemporary) from countries around the world. The complete installation includes 52 original works that are each 10 x 10 inches. Can be hung in an assortment of ways. The artwork comes with a template for installation as shown below. The series started following 9/11 with the bombing of the World Trade Center in NY. and continues to today. Stephanie Peek's "Uniform Language" is a constellation of small painting on alabaster-coated wood panels featuring camouflage patterns of nations worldwide. Peek’s fascination with these patterns stems from her observation of nature (including her studies of flowers, for which the artist is well known), and compositions of shapes and color relationships. When hung in the configuration shown, the overall dimension is 77 inches tall x 132 inches wide. The artwork can hang in a variety of configurations. Each camp painting is 10 x 10 inches. Fascinated by how various countries use camouflage patterns to represent and to disguise themselves and their military equipment, the artist explores how countries see themselves in this pattern language that speaks of power and fear, while also considering each painting a prayer for peace. Artist's statement, Early in the 20th century, the United States military adapted the nature studies of American painter Abbot Thayer...