Yochiya Furniture

Description A pair Japanese Totai Shippo cloisonne (cloisonné ) pottery vases. The vases have the usual cream coloured body that is normally a...

Japanese contemporary decorative porcelain vase, dramatically hand painted in platinum, set against a stunningly shaped porcelain body in black, a signed masterpiece belonging to the...

A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases a geometrical spindle form, rather distinguishingly modern. It is covered with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but it is an innovative reinterpretation of the ancient aesthetic. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 9"h x 5.5"w x 4"d. Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...

Contemporary Japanese decorative porcelain vase, hand painted in blue underglaze and platinum, a work of widely acclaimed master porcelain artist in traditional patterns of the Imari...

Extraordinnary contemporary Japanese collectible Kutani porcelain incense burner, vessel, intricately hand painted with pure gold on an elegantly shaped body in a stunning deep blue,...

Large baluster vase with copper leaf on a ceramic core, decorated in repoussé with two dragons passing through the clouds, the perimeter of the bas...

Exquisite Japanese contemporary porcelain vase, intricately hand painted on an elegant gourd shape, a signed masterpiece by a Kutani master porcelain artist. The spirit of Kutani war...

A stoneware vase with white dripping glaze from Hagi by Kyusetsu Miwa X (1895-1981), Showa Period. The vase is in the shape of "Double Gourd" with a bulbous ...

With lovely magnolia tree in bloom and finch on blue background. Signed: Fukugawa.   

A fine Japanese porcelain box. Decorated to the exterior with a dark turquoise enamel ground with floral decorations. The figural finial as wel...

A contemporary studio ceramic vase made by Japanese potter Ken Matsuzaki (1950-). The vase showcases distinguished "moon flask" form with shoulder loops. The moon flask form was widely recorded first in Tang Dynasty China, most likely arrived from the Mideast countries via the silk road. It was originally used as drink vessel for the nomads and the loops were used to tie it to the horse-centered owner. The exotic form persisted in Chinese ceramic production through Ming to Qing dynasty. The form is unusual in Ken Matsuzaki's work. The artist covered the vase with a thick dripping Oribe green glaze partially revealing the unglazed part of the body, which is decorated with scrolling pattern in left by ash glaze. The work is rooted in both Yohen Shino glaze technique and Oribe tradition, but interestingly it also paid homage to Sancai pottery in Tang Dynasty when green glaze was prominently used to drip and splash onto the pottery. Viewing the vase, one can see in this harmonious piece, the innovative reinterpretation of ancient aesthetics that cross the cultures, geology and time. The base is marked with the artist's signature. The vase comes with an inscribed tomobako storage box with the artist's bio and wrapping cloth with seal. The vase measures 8.6"h x 7"w x 2"d. Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...

An impressive stoneware bottle form vase by contemporary Japanese studio potter Ken Matsuzaki (1950-) circa 2010s. The solid form takes its cue from Chinese traditional plum vase (Meiping) with raised and swelled shoulder and a small opening, yet it rises from a non-conventional pentagonal faceted base. The extraordinary surface was covered with Yohen Shino glaze in a deep iron hue. Thick white slips were applied in bold strokes to the lower portion of the vase. The abstract pattern calls to mind of the imagery of the iconic ocean waves found in traditional Japanese art. The presence of the vase is strong and none-compromising, reaching back to the past yet appearing utterly modern. It is marked by the artist underneath and comes with the original tomobako with title and author inscriptions and a wrapping cloth with the artist's seal. "Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...