Yuko Nishikawa Lighting

Lilly is a contemporary chandelier that challenges the differentiation of room and object. Formed from solid brass milled petals, each LED light source contains a single crystal hemisphere, absorbing and reflecting its environment to make it a part of the piece. Our large sized chandelier...

'The Girl and the Giraffe' bronze sculptural table lamp, hand crafted, molded and cast in bronze in the lost wax process. A whimsical sculpture lamp of a young girl and a giraffe, e...

A Hand Formed Chalice on Tripod Legs, one in a series of Modern TOTEMS, in matte black, underglazed stoneware. Each TOTEM is unique and has its own person...

Incredible sculptural stoneware table lamp by French artist, circa 1970 Original ceramic effects Perfect electric conditions Dimensions (only ceramic part) : 30 x 23 x 2...

This piece was designed around the form of the artists newborn daughters eyes, and aptly named after her. Matthew Holleman is originally from New Zealand but now resides in Sweden wh...

The Bonnie range is designed around the stylized form of a Saffron flower, known around the world for its valuable beauty, fragrance and essence. Each part is handmade, wether it ...

Scroll down and click "view all from Seller" to see more than 400 other unique products. (2.2) Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front...

Beautiful floral shell ball lamp from the 1970s. Exceptional design and high -quality workmanship. The design creates a fantastic play of light. Condition: Very good vintage condit...

Neither lamp nor mirror, or maybe both, Daffodils is a mysterious bright object calling to mind the unique daffodil shape, from which it takes the name. The structure is made of a sa...

The Voltaire table lamp consists of a cast bronze wing sculpture inspired by the past and present using age old and modern techniques to create...

organic form sculptural glazed ceramic lamp by Arpad Rosti. Dark blue-green and grey in color. Best known for his remarkably inventive lamps, trays and vessels designed in organic, free form shapes, Arpad Rosti was a highly versatile artist, equally at home in both the ceramics and enameling fields. While most of his work was done in either clay or metal, in the late 1940s he also ventured into furniture design when he produced a group of tables in treated wood, mosaic, copper, and glass. His one-of-a-kind furniture was exhibited in 1949 at the Chinese Gallery in New York and written up in the New York Times. As further evidence of his wide-ranging talents, in 1972 he was commissioned to produce a stained glass window for a residence in North Caldwell, New Jersey which New York Times critic Joan Cook described as “a miracle of color and light.” Born in Subotica, Yugoslavia in 1909, Rosti studied architecture at the School of Industrial Arts in Budapest. In 1940, he moved with his wife Ilona to the United States and settled in New York where he became a naturalized citizen in 1945. In 1947 his work was featured in an exhibition organized by the Craftsmen’s Equity and presented at the Barbizon-Plaza Galleries in New York. The organization, of which he was President, aimed to “put craft on a business basis without sacrificing the individuality inherent in handmade articles.” Throughout the 1950s Rosti’s work was regularly chosen for the prestigious National Ceramic Exhibitions at the Syracuse Museum of Fine Arts (now known as the Everson Museum). It was included in seven of these exhibitions between 1946 and 1958 and in 1947 Rosti’s work was singled out by the New York Times critic Edward Alden...

One of a trio of fully hand built ceramic TOTEMS in matte black under glazed stoneware. This one, "Take a Bite" has a small arc-like bite at the top. They each have their own personality which occurs when clay is hand-formed into shapes, connected together, and fired in a hot kiln. The surface is textured and coated with underglaze, giving the impression of black clay. Pictured below with 2 sister pieces: "Tall Feather" and "First Walk on the Moon...