Brock & Co

This is an iteration of Paul Manship's medal that features the artist Barry Faulkner on the obverse, and the inscription of that version is marked "Barry Faulkner Painter MXMXV (1915...

Saint-Gaudens, who served as an advisor for the Chicago World’s Columbian Exposition sculptural program, accepted the commission for the official award medal. He had completed his de...

This De Lue design was chosen as the 111th issue of the prestigious Society of Medalists series. Both obverse and reverse bear a muscular nude constrained by the rectangular medal's ...

ZIGI BEN-HAIM (Israeli, born 1945) Untitled, 1991 Mixed media on aluminum 36 x 48 inches Signed and dated at lower right: Zigi Ben-Haim 1991

HENRY BOTKIN (1896-1983) Open Green, 1960 Oil on paperboard on board 34 x 44 inches Signed at lower right: Botkin Signed, titled and dated verso

HENRY BOTKIN (1896-1983) Untitled, c. 1954 Oil on board 40 x 30 inches Signed at lower right: Botkin Signed verso

HENRY BOTKIN (1896-1983) Jaina, 1976 Mixed media with collage on board 40 x 30 inches Signed at lower right: Botkin Titled and dated verso

ZIGI BEN-HAIM (Israeli, born 1945) Untitled, 2001 Mixed media on aluminum 16 x 21 inches Signed and dated at lower right: Zigi Ben-Haim 2001 Numbered at left edge: AL-411

ZIGI BEN-HAIM (Israeli, born 1945) Untitled, 2001 Mixed media on aluminum 16 x 21 inches Signed and dated at lower right: Zigi Ben-Haim 2001 Numbered at left edge: AL-413

ZIGI BEN-HAIM (Israeli, born 1945) Lois & Morty all the way to 1201, 1991 Mixed media on aluminum 9 x 12 inches Signed at lower right: Zigi Ben-Haim Dated along right side (at botto...

EDWARD DUFNER (1872-1957) Midsummer, c. 1920 Oil on canvas 20 x 24 inches Signed at lower right: Edward Dufner N.A. Titled on handwritten label Period Arts & Crafts frame With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

ETHEL MYERS (1881-1960) The Gambler, Joe Johnson, n.d. bronze with brown patina 9 inches (22.9 cm.) high Stamped with foundry mark (on the base): ROMAN BR...