Eames Paw Chair
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1950 Eames PAW Herman Miller Zenith Dowel Leg Chair Rope Edge Lemon Yellow
By Charles and Ray Eames
Located in Hyattsville, MD
Charles and Ray Eames paw walnut dowel leg fiberglass swivel armchair for Zenith Plastics / Herman Miller Inc. A 1st generation/production rope edge fiberglass armchair example.
Fr...
Category
Vintage 1950s American Mid-Century Modern Office Chairs and Desk Chairs
Materials
Steel
Vintage Eames / Zenith PAW Swivel Base Armchair, 1940s
By Charles and Ray Eames, Herman Miller
Located in Renens, CH
First generation Eames rope-edge swivel base armchair.
Manufactured only for a very short period in the late 1940s by Zenith. This chair is a true collector’s item with less than ...
Category
Vintage 1940s American Mid-Century Modern Armchairs
Materials
Fiberglass, Wood
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Long before it was the pièce de résistance in a collector’s office or an upscale bachelor pad — landing in ample design magazines, on television and in well-appointed offices over the years — the Eames lounge chair was a fresh, subversive new take on a classic club chair and a culmination of experimentation by its inventive creators.
Charles and Ray Eames (1907–78; 1912–88) met while studying at the Cranbrook Academy of Art, the prestigious Michigan institution that drew such illustrious desi...
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During World War II, American designers Charles and Ray Eames (1907–78; 1912–88) worked with the United States Navy to make a new leg splint. Recognizing that metal splints could further injure a wounded person through the vibrations of their material, the couple created a new model with molded plywood. That wartime experience propelled the Eameses to continue their explorations in plywood. In 1946, they debuted the DCM, its shortened name referencing the “Dining Height (D) Side Chair (C) on ...
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Although their ubiquitous leather lounge might be more recognizable, there’s arguably no chair that better embodies the design ethos of Charles and Ray Eames (1907–78; 1912–88) than the DCW dining chair. It was introduced at New York City’s Museum of Modern Art in a 1946 exhibition titled “New Furniture Designed by Charles Eames.” (Ray was notably absent from the exhibition title, despite being a full collaborator on the work.)
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