Courreges vinyl coat
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Courreges vinyl coat
About the Item
Orange Vinyl Coat – Classic Courrèges initials on left breast, white zippers on two front pockets. 7 white snaps down front to waist. Two white snaps on each cuff. Back slit from waist to hem. Matching belt with white snaps. Inside courreges embossed lining is removable with small silver snaps all around edges.
ABOUT ANDRÉ COURREGES (from Wikipedia.com)
André Courrèges (born March 9 1923 in Pau) is a French fashion designer, known for his ultra-modern designs. At the age of 25, after studying to be a civil engineer, he went to Paris to work at Geanne Lafaurie fashion design house. A few months later he went over to Balenciaga, the renowned Spanish designer.
Both Courrèges and Mary Quant lay claim to the invention of the miniskirt.
Courrèges, "the lord of the miniskirt," gave women freedom of body and comfortable simplicity. He built his dresses rather than designed them. The shapes of his clothes are geometric: squares, trapezoids, and triangles. In 1965, he launched a shocking campaign and revolutionized the fashion world.
Early career
In his first appearance on the French couture scene, Courrèges introduced a revolutionary concept of styling: space-age clothes. This included boots, goggles, and dresses three inches above the knee. The main features of his boxy, uncluttered look spread quickly throughout the fashion world, especially the miniskirt, which he introduced to France,
Later creations
Among Courrèges' later creations were sweater pants, parkas, tennis dresses, beach clothes and mechanic-style coveralls. In contrast he also came out with a glow-in-the-dark jersey dress and an array of sexy swimsuits, held together only by thin strings on the sides. He favored bright acid colors and geometrical designs. He was the most copied and plagiarized dress-designer of his era. Shortly after he showed his space-age collection in 1964, the market was flooded with plastic skirts and jackets, angular seaming, crash helmets, white boots, and goggles, for a boxy silhouette.
Today, Courrèges holds an almost mythical status in fashion, especially in France, as well as being remembered as a truly great designer.
- Designer:
- Brand:
- Dimensions:Length: 40 in (101.6 cm)Marked Size: M (US)Bust: 36 in (91.44 cm)Waist: 34 in (86.36 cm)Hip: 38 in (96.52 cm)
- Place of Origin:
- Period:
- Material Notes:85% Cotton/15% Polyurethane.
- Condition:Good Condition.
- Seller Location:Los Angeles, CA
- Reference Number:Seller: inv. #84351stDibs: U09052293
André Courrèges
Revolutionary couturier André Courrèges made a name for himself on the buzzy Paris fashion scene of the 1960s with audacious Space Age designs that pointed to the future. The world of haute couture credits him with toppling the conservative standards assigned to feminine clothing back then and propelling a movement that celebrated a more revealing brand of women's attire — including chic miniskirts, his iconic white ankle boots and often whimsical dresses with necklines that turned heads.
While vintage André Courrèges suits, jackets and other apparel garnered the designer ample praise, he wasn’t confined to producing clothing. He is also widely revered for creating some of the era’s most stylish accessories, like his offbeat, goggles-esque sunglasses and distinctive scarves, which boasted lively patterns and an alluring range of Pop art colors and pastels.
Born in the French Pyrenees, Courrèges wanted to become an artist at an early age, but his father steered him into engineering. Though successful as an engineer, Courrèges pivoted to fashion. He moved to Paris and worked briefly for couturiere Jeanne Lafaurie. In 1948, he took a job with Cristóbal Balenciaga, and within a couple of years, he had ascended to the role of Balenciaga’s first assistant.
While working for Balenciaga, Courrèges met dressmaker Coqueline Barrière, whom he would later marry. In 1961, the couple established their own fashion house, where they collaborated as creative partners for the remainder of the designer’s life.
Courrèges was among the designers who ushered in the rise of ready-to-wear. He favored figure-hugging silhouettes and geometric shapes, and looked to the work of architect Le Corbusier — a like-minded proponent of simplicity and clean lines. Alongside innovators such as Mary Quant, Paco Rabanne and Pierre Cardin — the latter's futuristic looks were catnip for the free-spending consumers of the postwar years — Courrèges explored ways to outfit women with comfortable everyday wear, working with forward-looking materials such as plastic and polyvinyl chloride in his unadorned dresses of stark white. Mexican socialite and Harper’s Bazaar editor Gloria Guinness, pop star Françoise Hardy and former First Lady Jacqueline Kennedy were among some notable names to wear Courrèges originals.
By the mid-1960s, Courrèges had risen to the top of his industry, and there were many imitators. He took strict control of production at his namesake label, only allowing distribution through licensed sellers. He and Coqueline sold off part of the company in 1968 to L'Oreal, and by the early 1970s, Courrèges had more than 100 boutiques worldwide, also expanding into fragrances and menswear. In 1983, the couple restored themselves to full ownership of the company and in 2011 sold the company to French advertising executives Jacques Bungert and Frédéric Torloting. Artémis, which controls the global luxury group Kering, acquired a minority stake in the Courrèges brand in 2015 and took full control three years later.
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