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Carder Steuben Rare ThickLipWrapApplication CrystalCased Amethyst Bubbly Vase

Name: Carder Steuben Rare ThickLipWrapApplication CrystalCased Amethyst Bubbly Vase
Brand: Steuben Glass
Price: 4355 USD
Availability: InStock

About the Item

This antique ArtDeco-period Steuben mostly purple glass vase designed by its co-founder Frederick Carder is a colorless-crystal-cased "Transparent Amethyst Bubbly" type with colorless crystal decoration including a rare cut lip-wrap with thick undulating application that adds up to a 3.5-inch-diameter flat rim, along with a smooth casing over a rare see-through twisted linear air-trap pattern with a wider 4-inch hip near the footless bottom. Weighing 625 grams, the short heavy vase is a hybrid matching Steuben shape-numbers 7273 with its variety of colorless cut-crystal lip-wrap decoration and 7036 with its colorless cut-crystal casing. These like forms were produced in multiple colors/shading and patterns with or without a foot and/or decoration in a wide variety of hybrid techniques that are characteristic of the designs by Carder. The 7000 series was among the last produced by Carder before his 30 years as artistic director since 1903 came to an end based on the board decision of Steuben parent-company Corning Glass Works to abandon color by 1933 and move forward using only progressive optical glass with colorless brilliance. The Carder Steuben Glass Association has published for its online shape-index a handful of approximately 10-inch-tall 7273/7036 versions, along with similar shorter shapes like the 8.25-inch 7083 vase and 7 5/8-inch 7206 "Bubbly" vase, along with the much earlier 1153 salt-and-pepper shakers of about half that size but of unlimited dimensions in a vague line drawing. A photo of one 1153-variation shows them with perforated metal caps at 3.5-inches tall in "Transparent Amethyst" like our vase, but with optic ribs instead of air-trapping. Despite the early line drawing, it is most likely that our vase was made in the late 1920s to early 1930s when Carder designed air-trap pieces with coarser glass particles and heavier crystal casing and applications. In the 1974-published book featuring only museum-quality glass works, Steuben: Seventy Years of American Glass Making, its pages 42-43 highlight a similar unmarked photographed Cluthra vase with crystal casing and handles that is circa 1930. The section notes: "Carder felt bubbles gave life to the glass, and he included them intentionally in many of his pieces whenever he felt they enhanced the design." The nearly century-old vase is in very good condition with a matte ring on the bottom around the pontil. On close inspection of this area that is concealed when sitting on a tabletop, there appears to be thin white remnants of a worn etched signature, which could have been "Steuben" and/or the shape number. On first glance, we thought it was a Daum vase given a similar lip-wrapped high-relief application that was produced around the same time no earlier than the Art-Deco boom in 1925. To see if you might agree, please view our other listing for the currently far more valuable Daum lead-crystal vase, which is larger and heavier with an additional application and clear distinct signature on its lower side. We also have a much rarer Carder-Steuben blue-matrix Moss Agate vase listed. Given auction results since 2021, it won't be long before such pieces are, comparatively, no longer under-valued.

Designer:

Steuben Glass

Brand:

Steuben Glass

Dimensions:

Width: 4 in (10.16 cm)Length: 4.5 in (11.43 cm)

Style:

Art Deco (In the Style Of)

Place of Origin:

United States

Period:

Early 20th Century

Condition:

Wear consistent with age and use.

Seller Location:

Chicago, IL

Reference Number:

1stDibs: LU3244221330832

View Invoice

Shop All Steuben Glass

Steuben Glass

Steuben is the most illustrious name in American art glass. Its vividly colored Art Nouveau and Asian-style wares produced in the early 20th century as well as later modernist works rendered in flawlessly clear crystal are objects of striking beauty and delicacy.

The Steuben Glass Works was cofounded in 1903 in the town of Corning, New York, by Frederick Carder, a self-taught English chemist and glassmaker. Carder was a restless experimenter, constantly creating new color formulas that resulted in a wide array of hues, from milky jades to his iridescent Aurene shades. A favorite Carder technique was to acid-etch decorative patterns into pieces made of glass layered in different colors. The forms of his vessels were relatively conservative. Most are based on classic Chinese pottery; many display the flowing, naturalistic lines of the Art Nouveau period.

The larger local firm Corning Glass acquired Steuben in 1918. The company’s approach to art glass changed radically in the early 1930s, when Corning chemists devised a new type of crystal known as 10M, with perfect clarity and brilliant refractive powers. Corning decided that, henceforth, all Steuben wares would be made from the crystal. Art glass was made in two formats: molded and polished abstract sculptures and figurines, or pieces for which artists used Steuben crystal as a sort of canvas. The first such artwork was sculptor Stanley Waugh’s 1935 Gazelle Bowl, a vessel etched with brawny Art Deco animal forms. In later years, Steuben would invite artists that included Henri Matisse, Georgia O’Keeffe and Isamu Noguchi to “paint” in the firm’s crystal.

Steuben glass comes in myriad forms and is available in a broad range of price points. Jewel-toned glasses and tableware from the Carder era include candlesticks marked at $300 and full dinner services for more than $10,000. Small crystal figurines bring around $1,000, while larger sculptures are priced in the neighborhood of $7,000. As you will see on these pages, Steuben glass, with its impeccable artistry and timeless grace, deserves a place in any collection.