Bowl with Kufic Inscription

A rectangular marble slab carved with the Latin inscription ‘QVIRINIAE C(retr.) L / FELICLAE / OLLAM DAT / C VALERIVS PYLODAMVS’, which translates as ‘Gaius Valerius Pylodamus gave t...

This impressive bust is depicted with head turned slightly to the right and gaze lifted. His eyes are articulated, with the pupils indicated with a drill, giving the face a striking realism. The shoulders are draped with a cloak. Straight brows sit beneath a mass of thickly curling hair, which continues to a full beard. It is worked with great skill, evident in the heavy drill work articulating and highlighting the voluminous curls, and the highly polished surfaces, giving the appearance of soft skin. The contrast between these textures gives a chiaroscuro affect which is one of the main traits of the best Antonine busts. Roman marble portraits reached their apotheosis of craftmanship and technique under the Antonine emperors, as is evidenced in this masterful bust. The evolution of the style may be traced back to the emperor Hadrian, who was the first emperor to wear a full beard. The articulation of pupils and iris appears on busts of his lover Antinous, a novelty which continued in later Antonine portraits, such as this one. The features of this bust point to a possible identification of Emperor Lucius Verus...

Two pairs of two halves from the same bar, finely detailed, with pointed ears and eyebrows, opaque yellow face, opaque red on the mouth, nose, eyes and ears, translucent cobalt blue edges to the mouth, nose and ears, with translucent emerald green leaves above and between the translucent cobalt blue brows and eye line, translucent pink pupils, with translucent cobalt blie and opaque white snake scales below the face, in translucent cobalt blue matrix, cut in the lower part of a cartouche design. These rare heads might represent the Agathos Daimon, the tutelary deity of Alexandria, who was also identified with Serapis, the male counterpart of Isis-Thermouthis (who in turn was a graecisized form of the early snake harvest goddess Renenutet). In a statue of Isis-Thermouthis in Alexandria museum (no. 25773, ex-collection King Farouk I), reproduced in Gotten, Pharaonen, no. 151, the snake goddess...

A baluster-shaped ceramic vase with siliceous paste painted in manganese and cobalt, under a transparent glaze. With hand painted blue and white decorations. Stone paste or ‘fritware’ vessels with lustre, turquoise, white and cobalt blue glazes were famously crafted in the northern Syrian city of Raqqa, situated on the Euphrates River. They were often utilitarian in design, but elegant and intricate in decoration. This present example was most likely used as a storage vessel. Like many transportable ceramics in the region, it is possible this piece was exported out of the city, either to be traded or as a container for more expensive goods. Published Collection H Hoffmann...

A very rare and near-complete copper-alloy hanging bowl and associated fittings. Crafted from a single sheet of bronze, the body of the bowl is curved, with a slightly recessed lip. ...

An impressive skull of an Edmontosaurus, a large herbivorous dinosaur that lived during the Late Cretaceous period, 68-66 million years ago. The three rows of sixty or more teeth on either side of the jaw, known as the ‘dental battery’, mark the Edmontosaurus as part of the Hadrosauridae, or duckbill family of dinosaurs. It belongs to the flat-skulled, or solid-crested, Hadrosaurinae, which replaced the older hollow-crested hadrosaurs. Edmontosaurus was one of the last non-avian dinosaurs to ever exist, living shortly before the Cretaceous-Paleogene extinction event. The Edmontosaurus was named in 1917 by Lawrence Lambe, after a partial specimen from Edmonton in Alberta, Canada. The existence of large Edmontosaur bone beds...

ITEM: Pilgrims badge / Plaque with incised cross and inscription with original suspension chain MATERIAL: Bronze CULTURE: Byzantine PERIOD: 5th – 8th Century A.D DIMENSIONS: 95 mm x ...

The crane, a traditional symbol of longevity and auspiciousness, is prominently placed at the center, creating a harmonious and aesthetically balanced effect. The border of the dish ...

Chinese cloisonné bowl with jade cover. The ground color of the bowl, inside and out, is a deep turquoise. The exterior decoration is of pink, red and blue flowers and their leaves i...

Chinese lacquer bowl of deep flared form with pewter from the 18th century. Over a body of black lacquered the exterior decorated with gilt scenes o...

Presenting a magnificent piece of Chinese craftsmanship, this Turquoise Bowl hails from the late Qing Dynasty. This rectangular-shaped beauty is a testament to the artistry and atten...

an antique important fine gold Chinese famille rose porcelain 12'' bowl with very beautiful colour enamels, hand painted, mark DaQingQianLongNianZhi, excellent condition, Measures: 1...