Antique Chinese Porcelain Jar 18th Century SE Asian Thai Market Bencharong Peony

A very nicely decorated bowl. Extremely well painted and rare with elephants/tigers and figures. Condition: Overall condition 2 restored chips to rim, some kind of paste and pa...

A very nicely decorated bowl. Extremely well painted and rare Condition Overall condition very good 1 hairline. 145 x 74mm Period 18th century Qing (1661-1912).

Nice, rare and beautiful dishes. Flower and rocks as central scene. Condition Dish 1 with 6 hairlines and 2 frits. Dish 2 with 3 hairlines and chips/fritting. Size 200 x 29mm app...

Nice, rare and beautiful colors in enamel in the shape of a flower. These wares and their specific characteristics of wild colour and thick enamel have all the characteristics that we can also find in Straits and Bencharong wares. We quite often find whole collections of these thick ennameled & bright coloured 18th c plates stuck together in Dutch Indonesian...

Top Quality Guangxu or early republic lidded bowls. Marked with a leaf. A very unusual decoration of dragons and Lychee fruit. Lychee The Lychee or Lichee is best known for its...

A very nicely decorated plate. Peony Peony - Mu-Dan - Queen of Flowers, the peony is a emblem of wealth and distinction. Rock Emblem of longevity, hardness and durability...

Antique Chinese Porcelain Bowl for the Thai Market, 18th century. Bencharong enamel decoration with Buddhist imagery on a black background. This classic porcelain bowl form having a raised narrow foot rim and slightly everted mouth rim is richly decorated in bright polychrome enamels much favored by the nobility in eighteenth century Siam. This colorful style became known as “bencharong”, a term that derives from two Sanskrit words – panch (‘five’) and rong (‘colour’) and which relates to the number of colours used to decorate such porcelain. This bowl is decorated with typically Thai motifs. The sides are decorated with four Thepanom (Buddhist celestial beings) each wearing a broad necklace of petals and seated on a lotus within triangular cartouches that have a coral-red ground. Four Norasingh (mythical forest-dwelling semi-deity with a human head, torso, and arms but with the hind-quarters of a lion and the tail and hoofs of a deer) against black back grounds filled with flaming pink kranok motifs. This design is framed by two floral bands top and bottom and another double band on the interior mouth rim. The interior glazed in a soft turquoise green and remnants of a floral pattern roundel on center. Sets of porcelain such as this example were commissioned from the Jingdezhen kilns in China and exported to Thailand. 6-7/8 in. in diameter x 3-5/8 high (17.5 x 9cm) 16.7 oz. (475g.) Ayutthaya Period, 18th century. Provenance: German Private Collection. For similar examples see: William Warren & Luca Invernizzi Tettoni, Arts and Crafts of Thailand, Chronicle Books, San Francisco 1994, p.33. Bonhams New York, Indian, Himalayan & Southeast Asian Art, 17 Sep. 2014, lot 180 With the following notes: Bencharong porcelains...

Pair of Vintage Thai Bencharong Lidded Jars, 20th century. Bencharong enamel decoration with Buddhist imagery on a black background. This porcelain jar and lid form having a raised foot rim and lotus bud on a disk lid finial are richly decorated in bright polychrome enamels in the style of the royal household ceramics favored by the nobility in eighteenth century Siam. This colorful style became known as “bencharong”, a term that derives from two Sanskrit words – panch (‘five’) and rong (‘colour’) and which relates to the number of colors used to decorate such porcelain. These jars and covers are decorated with typical Thai motifs. The sides are decorated with four Thepanom (Buddhist celestial beings) each wearing a broad necklace of petals and seated on a lotus within triangular cartouches that have a coral-red ground. Four Norasingh (mythical forest-dwelling semi-deity with a human head, torso, and arms but with the hind-quarters of a lion and the tail and hoofs of a deer) against black back grounds filled with flaming purple kranok motifs. This design is framed by two floral bands top and bottom. The interior is a covered in a transparent glaze with unglazed lid edge and the gallery interior edge of the lid unglazed. Condition: Excellent Each measuring: 5 in. in diameter x 6 in. high (12.7 x 15.2cm) Each weighing: 1 lb. 5.5 oz. (610g.) 20th century. Provenance: Dr. Philip Gould, New York, NY. Millea Brothers, New Jersey For similar examples see: William Warren & Luca Invernizzi Tettoni, Arts and Crafts of Thailand, Chronicle Books, San Francisco 1994, p.33. Bonhams New York, Indian, Himalayan & Southeast Asian Art, 17 Sep. 2014, lot 180 With the following notes: Bencharong porcelains...

A Chinese Qing dynasty period Martaban jar from the 18th-19th century with dragon motifs and loop handles. This tall Chinese jar comes from the Martaban wares, where it was produced during the Qing dynasty (1636–1912). This tall jar is made of varnished brown glaze and features on its belly carved dragons, which are an auspicious pattern in China. The top of the jar displays ceramic loops...

OR19067 A large and stunning antique Chinese Qing porcelain charger decorated in the famille rose palette with scattered floral designs on a turquoise ground and set around five Chi...

This pair of beautiful Chinese porcelain plates were hand painted in the Famille Rose style in the mid-18th century. The center of each plate is painted in delicate colored enamels....

Pair of 18th century Chinese export Famille Rose porcelain covered jars. Spring flowers sprout from jagged rocks while exotic birds peer over the lush garden. There are delicately en...