Antique Japanese Painted Figural Satsuma Umbrella Stand with Oni Handles

Antique Japanese Satsuma Hand Painted & Gilt Porcelain Double Handled Vase with Garden Scene on Wood Stand C1920 Measures - 11"h x 4.75"diam

Antique Japanese Satsuma Hand Painted & Gilt Pottery Vase with Garden Flowers & Birds C1920 Measures - 8.75"h x 4"diam

Antique Japanese Meiji Satsuma Hand Painted & Gilt Porcelain Vase with Flowers, Butterfly & Bamboo, C1910 Measures- 8.75''H x 4.5''W x 4.5''D

Antique Japanese Satsuma Hand Painted & Gilt Pottery Vase with Pagoda & Landscape C1920 Measures - 12"h x 6.5"diam

Antique Japanese Satsuma Vase with Garden Scene having Birds, Flowers & Butterflies and Gilt Highlights Throughout, C1920 Measures - 6.5"h x 5.75"diam

Antique Japanese Satsuma Hand Painted Floral & Gilt Pottery Lidded Urn C1920 Measures - 5.5"h x 3"diam

An ideal decoration for a stylish hallway, this Japanese Imari porcelain umbrella stand dates from the end of the 19th century. Known for its colourful decorative style, Imari porcel...

Description: Fabulous small Japanese. Absolute top quality decoration a pottery. Marked at the base. Condition: Overall condition 1 perfect, 1 with restoration to rim. Size: 90 ...

This antique authentic Satsuma teacup and saucer set is signed, but the artist has not been identified and was made in Japan in circa 1900 in the Anglo-...

Very lovely piece. With an overall landscape scene of mountains, flowers and birds in flight. Condition Upper rim is over fired and has some repainting. Size 150 x 150mm DXH Per...

Description Japanese Satsuma vase, Meiji period Of ovoid form with slightly domed cover, decorated with monkeys in robes frolicking in a landscape beside a river. Condition O...

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...