Chinese Ming Style Pottery Green Glazed Incense Holder

A fine antique Chinese coral glazed porcelain brush washer or inkwell decorated with a bamboo sprig and dating from the early Guangxu reign 1875-...

A very fine pair antique Chinese Kangxi porcelain famille verte Buddhist Lion joss stick holders dating between 1662 and 1722. The dogs sit raised on...

A rare and attractive pair Chinese Qing Jun-ware Foo dogs decorated in liver red glazes and dating from around 1850. The porcelain dogs are heavily made and stand raised on rectangul...

A very fine and attractive pair of graduated Chinese turquoise glazed dogs of foo figures dating from the first half of the 20th century. The hollow biscui...

An extremely rare and finely made Chinese Kangxi porcelain blanc de chine figure of a cockerel. The cockerel stands on a shaped base with good feather detailing and stands crowing wi...

An unusual and stylish antique Chinese simulated bamboo brush pot decorated in brown glazes and dating from the 19th century or possibly earlier. The ...

A tri-pod ceramic incense burner (koro) by Japanese Imperial potter Makuzu Kozan (1842-1916) circa late Meiji to the start of Taisho period (1890-1910s). A fine example of the artist's work belonging to the late part of his underglaze paint phase (started around 1887 until his death), the surface of the koro was painted in beautiful shades of blue to depict a continuous landscape not unlike a traditional ink and watercolor hand scroll. The rise and fall mountains recede and fade into the horizon and are dotted with groves of pines. The sky is painted with a beautiful subtle shade of pink, suggesting a time of sunrise or sunset. The koro is fitted with an ensuite reticulated sterling silver hoya (incense cover), pierced with swirling cloud and marked with "pure silver' in Kanji. The base is signed in underglaze blue "Makuzu Kozan Sei" within a double ring. The piece is beautifully potted in form and the decoration was done with expertise using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking landscape known as "Mountain and Water" with sense of dimensions and gradient, the poetic effects normally conveyed only by sumi ink staining on paper. The piece comes with an unsigned tomobako (wood storage box) of a recent age. Also known as Miyagawa Kozan (1842–1916), Makuzu Kozan was one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

A gorgeous green glazed large Chinese pottery censer of Archaistic shape called a fanghu, set on a separate stand, Qing dynasty, second year of Tongzhi, 1863. The censer or incense burner crafted in two parts and covered in a thick, runny and unctuous glaze, ranging from dark green to turquoise green, to pale celadon. The neck with shou (longevity) medallions. The body decorated in relief with fruit, pomegranate and finger citron (Buddha's hand). The sides fitted with lion mask handles. The stand with a key fret design, and a pierced Chinese...

A whimsical pair of late Qing Dynasty (1636-1912) Chinese pottery Sancai green glazed joss stick incense holders. circa 1890 Born in China around the turn of the late 19th / early 2...

An antique Korean ritual incense burner circa 19th century, late Joseon dynasty. It was made in Bunwon Kiln in Gwangju, Gyeonggi Do, near Seoul. The ceramic container has a thickly b...

Tri-pod ceramic bowl likely used as an incense burner (koro) by Japanese Imperial potter Makuzu Kozan (1842-1916) circa late Meiji period. The signature indicates that it was produce...

A charming Chinese green glazed pottery censer or incense burner, Qing Dynasty, late 19th century. Now suitable for use as a jardiniere or vase. The incense burner in glazed a deep green, in imitation of bronze models, and set on four tapered legs attached to a rectangular stand...