Silver Leaf Ceramics

Fabulous vase with a mark Taniguchi on the side. Unusual shape and copper red decoration of a pagode mountainious landscape. With a man walking over a bridge towards the pagode. He i...

Japanese Meiji porcelain Kutani vase hand painted with decorative and a figural panel dating between 1868 and 1912. The elegantly shaped tall ...

A large scale and very good quality late 19th century Japanese Imari vase with exotic birds, trees and flowers. Wonderful coloring in vibrant hues of blue, red and rust.

Beautiful Japanese Moriage vase, late 19th century-early 20th century. Free shipping within the United States and Canada.

Gourd shaped Sang-De-Boeuf vase with unique stripes. Exterior covered in a glorious liver-red glaze, interior glazed white, inscribed to the base with a Jin De Zhen kiln mark. A subs...

A very nice vase. Condition Overall condition D (Restored). Reglued chip Hairline. Size: 240mm approx. Period 19th century Meiji period (1867-1912).

Very unique Japanese vase with abstract pattern in a variety of brown tones. The deepest brown glaze is raised, giving the vase a wonderful tactile texture.

Graceful hand decorated Japanese vase with traditional motifs and gold rimmed top., c. 1960's. Signed on bottom, Gold Imari.

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

3-674 Japanese artist made glazed ceramic vase.

Pair of antique Japanese porcelain vases Japanese, early 20th Century Height 86.5cm, diameter 36cm The beautiful Imari porcelain vases...

Pair of exquisite Japanese Kutani vases with fine enameled and gilt decorations, signed Kutani-Saku (九谷作), measuring 14 1/2 by 6 1/2 inches. Each in excellent condition.