Pair of 19th Century Qing Dynasty Chinese Blue and White Vases Turned to Lamps

A Magnificent and Large Pair of 19th Century Qing Dynasty Chinese blue and white porcelain vases mounted as lamps. Each i...

A Magnificent pair of 19th century Louis XVI Style ormolu mounted chinese famille verte porcelain vases turned to lamps, the ormolu attributed to Henry Dasson. The ormolu mounted Chi...

A pair of blue and white triple-gourd 'Taotie' vases, Qing Dynasty, 19th century. A pair of blue and white triple-gourd 'taotie' vases. The base of each with an apocryphal Kangxi six...

Pair of 19th century Chinese porcelain Ginger Jars converted into table lamps with wood bases. The pair is beautifully painted with delicate images of flowers and green leaves.

A fabulous 19th century Chinese Famille Vert Porcelain figure of a seated scholar mounted as a lamp. Beautifully hand-painted with an array of monochrom...

This is a fine pair of antique Chinese Blanc de Chine vases mounted as lamps. They are exceptionally handcrafted and glazed with excepti...

Very beautiful Chinese porcelain vase with cracked glaze with 2 handles in the shape of elephant heads from the Qing Dynasty, mounted as a lamp at the end of the 19th century with a ...

An unusual and spectacular Chinese monochrome blue flambé-glazed hu form porcelain vase, Qing Dynasty, 19th century, China. The hu vase is heavily potted with elegant proportions...

Faux bamboo Chinese vases were a type of decorative art that emerged during the Qing Dynasty (1644-1912) in China. These porcelain vases were designed to mimic the appearance of bamboo, a plant highly regarded in Chinese culture for its resilience, elegance, and symbolism. Bamboo is associated with attributes such as flexibility, strength, and modesty, making it a popular motif in Chinese art. In the Qing Dynasty the color yellow held significant symbolism and represented imperial authority, power, and the emperor himself. Yellow was considered the most sacred and prestigious color in Chinese culture, and it had strong associations with the emperor's position as the Son of Heaven and the ruler of all under heaven. The marks at the bottom of the vases indicate that these were crafted more specifically during the Tongzhi period – an emperor who reigned from 1861 to 1875, which effectively lasted nthrough his adolescence and was largly overshadowed by the rule of his mother, Empress Dowager Cixi. Although he had little influence over state affairs, the events of his reign gave rise to what historians call the “Tongzhi Restoration”, an unsuccessful modernization program. The polychrome enamels representing on one vase a traditional Chinese kite...

This very large Chinese Qing Dynasty monochrome Mieping vase with a Yongzheng reign mark mounted as a lamp is in a rich bottle green while marked with a Yongzheng (1722- 1735) reign ...

Pair of porcelain vases with mirror decoration of characters in a garden. Very good condition. Xuande mark under each base. 19th century China.

Superb and quite early example of a Chinese Hand painted Canton enamel tall ovoid form Vase of octagonal outline now converted to an Electric Table Lamp, raised on six ormolu toupie ...