Small Satsuma Earthenware Bowl

A small Satsuma earthenware tea bowl, the speckled greyish body decorated with four panels of alternating bijinand flowers, painted in overglaze en...

A pair of Meiji period Satsuma earthenware vases, each with applied elephant-mask handles, painted in overglaze pastel enamels and gilt with a continuous central frieze of sages and ...

A large Meiji period Satsuma earthenware floor vase, the of baluster form, painted in pastel overglaze enamels and gilding with two large sprays of flowers including prunus blossom, ...

A large Meiji period Satsuma earthenware floor vase, the skittle shaped body painted in pastel overglaze enamels and gilding with a continuous frieze of the Seven Gods...

A small light blue cloisonne enamel vase with an egret, the white bird standing in water in front of a lotus plant with blue and purple flowers, the rim stamped ‘Cloisonne Japan...

A Showa period rich cream ground musen cloisonne enamel vase with Mount Fuji by Ando, the snowy mountain rising above stands of fir trees, with impressed wire Ando mark. Japanese, ci...

Japanese Meiji Period Satsuma large square bowl Antique early Meiji Period 15" square with scalloped rim Satsuma bowl. Highly unusual and finely painted. ...

Pair of 19th century Satsuma vases, Japan 19th century.

O/3204 - Old Chinese bowl in shaded red: simple and interesting for collectors. Now I want to close my activities, therefore I accept offers. Thanks.

A ceramic tea bowl decorated with autumn grasses with signed and sealed tomobako. Painter and designer, Kamisaka Sekka (Japan, 1866-1942) has been one ...

A Japanese Kutsu-gata (clog-shaped) chawan (tea bowl) circa 19th century possibly older. The stoneware bowl potted from buff clay has a slight irregular shape and an unusual depth for a tea bowl. Of Mino ware...

A beautiful ceramic vessel in the form of Bo, the so-called monk's alms bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this piece was made as a decorative center piece for display. It was brilliantly decorated with underglaze paint of a green-on-green bamboo motif, using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. To create design that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...