Chinese Gilt Bronze Guanyin, 17th Century, Ming Dynasty

Chinese bronze figure of a Monkey, 17th Century, Ming Dynasty. The amusing study, cast as a seated monkey, about to devour a peach, held in his right hand. His hair well delineated, ...

A fine pair of Japanese bronze and mixed metal vases, by Inoue of Kyoto, Meiji Period. The baluster shaped vases, decorated in gold, silver and shakudo inlay, with cranes beneath flo...

Chinese Yixing stoneware teapot, mid-19th century. The large teapot enameled to either side, with panels of flowering plants, between turquoise panels painted with bamboo shoots. Hav...

Pair of Chinese porcelain cockerels, c. 1890, Qing Dynasty. Both cockerels modelled standing on rocky bases, and their boldly decorated feathers in famille rose enamels. Their combs ...

Chinese porcelain ‘Millefleur’ Dragon vase, Republic Period. The bottle shaped vase, well painted in vibrant famille rose enamels, with a profusion of flowers on a gilt ground. The n...

A fine pair of Chinese porcelain candlestick figures, c. 1760, Qianlong Period. Modelled as Court Ladies, holding large lotus pods, wearing flowing robes, decorated in vibrant famill...

A small and interesting cast bronze archaistic scholar vase with loose ring handles and taotie mask design, late Ming or early Qing Dynasty, mid 17th century, China. The small vase of archaistic hu form, and cast with archaistic designs. Sitting on a tall splayed ring foot, the round body is cast with a large band featuring a ferocious taotie (ogre) mask. The taotie mask in this case id decidedly feline, with a ruyi shaped snout above a whiskered mouth. Two flanges stick out to either side of the mask, reminiscent of ears. A wide, tall neck rises from the body, terminating in a slightly everted mouth. The archaistic cast design on the neck is not as clear, but most likely represents Fusang, a mythical island in the Eastern Sea where the legendary Fusang tree grows. The Fusang tree, home to the mythical Sun Bird...

A decidingly charming Chinese polychromed and gilt cast bronze figure of Nanhai Guanyin, Guanyin of the South Sea, Ming Dynasty, 16th/17th century, China. Guanyin, the bodhisattva of compassion, is portrayed here as a beatific figure seated upon a raised lotus pedestal over waves. Guanyin is dressed in heavy robes, and wears an elaborate headdress. The small figure of Amitabha Buddha in the headdress positively identifies this figure as Guanyin. Guanyin rests one hand in his lap, holding a cup of pure water said to be able to alleviate all suffering. His other hand is raised, holding a willow branch which is used to sprinkle the healing waters. The two lotus blossoms to either side of Guanyin would originally have supported figures of the acolytes...

An amazing and rare Chinese silver Nine Phoenix Coronet or Crown, Ming Dynasty (1368 to 1644), late 16th to early 17th century, China. A delicate and...

An attractive carved wood figure of the Bodhisattva Avalokiteshvara, known as Guanyin in China, late Ming Dynasty, early 17th century, China. Guanyi...

Chinese late Ming dynasty bronze figure of the Bodhisattva Avalokiteshvara, also known as Guanyin (Quan Yin, Kwan Yin, Kuan Yin), 17th century, China  The figure well cast in two ...

A small and lovely Chinese cast bronze garlic head scholar's "chilong" vase, early Qing Dynasty, Kangxi period, late 17th century, China. The elegant vase of beautiful proportion...