Indonesian Metalwork

A vintage Indonesian gong, polychromed and repurposed for a freestanding sculpture. Mounted on a black metal stand. Circa 1940. The front is painted i...

This Antique Indonesian Garuda brass bell is a truly exceptional piece that embodies the magnificence and symbolism of the mythical Garuda bird in In...

This Antique Indonesian brass bell holds a significant place in ceremonial practices conducted by priests. Crafted with meticulous detail, this bell ...

A splendid and heavy Dutch-colonial silver filigree salver Indonesia, Batavia (Jakarta) or possibly Padang, West Sumatra, 2nd half 17th century Diam. 22.9 cm Weight 551 grams This filigree-work was probably done by Chinese masters...

A bold and well crafted Indonesian Yogya (Jogja, Djokja) silver bowl by Tom's Silver, Yogyakarta, Java, Indonesia, circa 1960's. The elegant bowl features a striking design of a Kala face, a protective monster often found above temple doors, and representative of time, death, and rebirth. A pair of makara flank the wide open, smiling mouth. A stylized foliate design surrounds the Kala. Kala are analogous with the Kirtimukha, or face of glory, originating in India and associated with Shiva. Both beings are devourers of evil and tasked with protection The bowl features two beaded borders, and a scalloped rim. The bowl set on three short out-swept feet. Stamped mark to the underside reading "TOM" "800" "DELUX". TOM stands for Tom's Silver, perhaps the most famous silver workshop in Yogyakarta. 800 is the purity of the silver (80%). DELUX is a common mark on Yogya silver...

Old ironware from the 18th century. It is an old ironware used in Balinese ceremonies. This item is in the shape of a water buffalo horn and is extremely rare. There is no unnecessary decoration, there is a simple sophisticated atmosphere, it is an art piece. As in the first photo, it is also recommended to enjoy it likened to an incense plate.

A rare, Dutch Colonial, Batavian (now Jakarta) Dutch East Indies silver and tortoise shell Sirih casket, circa 1750. The casket was used for storing highly prized betel nut, which was chewed ritually by high ranking Indonesian officials and adopted by settlers from the Dutch East Indies Company...

A very decorative large coloured painted metal fish with candleholder. This beautiful fish made by a Jodhpur ironworker is painted and patinated by hand. Wonderful decorative object,...

An Indonesian hand-tooled metal sculpture from the Celebes Island depicting a temple monster with swine ears and legs, horn, tail and a bell around his collar. Created on the Indones...

Phenomenal vintage East Java Indonesian brass Tepak Sireh betel nut set including a large brass bowl with removeable lid which doubles as a tray, two ...

An unusual Indonesian lobbed silver dish Jakarta (Batavia) or Coromandel coast, third quarter 17th century, apparently unmarked The eight lobbed dish exuberantly decorated with floral motifs, with the middle section replaced, consisting of indistinctly marked German silver from the early 19th century, bearing the coat-of-arms of the Von Pfeffel family. Diam. 30.5 cm Weight 461 grams Note: Lobbed silver dishes with exuberant floral decorations were characteristic of the decorative arts in the Netherlands in the first half of the 17th century. This style of floral decoration was adopted by silversmiths as well as by furniture makers working on the Coromandel Coast and in Batavia, often by workers who had fled the Coromandel Coast because of war and famine. In Batavia this style was known as “Custwerck” (work from the Bengal coast). These lobbed dishes are seldom marked. Only after 1667 the use of the town mark became obligatory in Batavia but only for silver made in Batavia not for silver imported in Batavia from other VOC settlements. The engraved coat of arms in the centre is a replacement of the original centre. The coat of arms can be identified as those of Christian Hubert von Pfeffel (1765- 1834). As a diplomat, statesman, ambassador of Bavaria in London and Saxony and councillor to the King of Bavaria, he was made “Freiherr” in 1828 and since then used this coat of arms. His son Karl Maximilian Friederich Hubert Freiherr von Pfeffel (1811-1890) in 1836 married Karoline Adelheid Pauline von Rottenburg (1805-1872), the natural daughter of Prins Paul von Württemberg (1785-1852) and his mistress Margrethe Porth. Paul was the jounger brother of the King Wilhelm I of Württemberg (1781-1864). The heraldic motto of the von Pfeffels Vur Schande habe den Huot means as much as “Beware of Shame”. Christian Hubert Theodoor Marie Karl von Pfeffel Karl Maximilian’s grandson was the last male in the von Pfeffel line. His daughter, Marie Louise (Paris in 1882 - Cornwall 1944), born and grown-up in France, changed her name in de Pfeffel. She was the great grandmother of Boris Alexander de Pfeffel Johnson, the present British Secretary of State. None of the members of the von Pfeffel family had any direct links with the Dutch East Indies but indirectly by way of the Royal House of Württemberg they did. Sophia Frederika Mathilda von Württemberg (1818-1877), daughter of Wilhelm I King of Württemberg, in 1839 married Willem III...

An Indonesian Yogya-silver plate Yogyakarta or Kotagede, 1935-1940, marked, (alloy) 800 and maker’s mark PH (Prawirohardjo, act. from 1935) Diam. 27.2 cm Weight 454 grams Th...

Urn reliquary in polished brass. In two parts, base and lid.

A gorgeously patinated bronze pedestal offering tray, talam, Central Javanese Period, Java, 8th-10th century. The offering tray of beautiful form and proportions, with a splayed a...

A stunning and rare Javanese bronze footed offering vessel and cover, Central Javanese Period, 8th-10th century. The ritual offering vessel of elega...