Dutch Colonial Japanese Scroll Painting of Chief Merchant Doeff

Anonymous Japanese painter (MEIJI PERIOD, LATE 19TH CENTURY) Portrait of Takeaki Enomoto (1836-1908) Ink, color and go fun on silk, framed. Painting: 79.5 x 50 cm With fram...

A Collection of Thirteen Ink and Chalk Drawings by Johan Gerard Sinia (1875-1948) All framed in gilt-metal or giltwood frames Sinia started his professional career as an army off...

Five Chinese paintings of western people by an unknown artist China, circa 1760, captions later All in giltwood frames. “A woman with Portuguese hairdo, with gold, silver and gemstone necklace, a skirt under a vest, a koi on her back, called a cloak, a woman customarily inherited the family business, the male humble, to the threshold (Qianlong year, circa 1735).” Gouache on silk, measures: 32 x 25.4 cm “He is a Westerner who had a white skin. He does not have a heavy beard but plaits his hair. He wears a triangular black hat, short jacket, leather shoes and long stockings...

Theo Meier (1908-1982) “A Balinese woman with offerings” Signed, dated '36 and annotated Mankok (the name of the sitter) lower left Sanguine on paper, measures: 57 x 41.5 cm In a handmade and hand painted frame with address: Max Kno¨ll, Herberggasse 4/1, Basel. Provenance: Private collection, Basel (acquired directly from the artist) Private collection, London Note: Theo Meier was born in Basel, where he attended art school and became a successful portrait painter. However, after visiting an exhibition in Basel of Tahitian paintings by Paul Gaugin, he decided to follow in Gaugin’s footsteps and go to the South Pacific. To finance his voyage, he founded a club in which every member pledged a monthly sum in return of which they could choose one of Meier’s paintings upon his return. In 1932, at the age of 24, he embarked on his voyage to the South Sea. In Tahiti, he certainly discovered the beauty of the colours of the tropical world but the simplicity of the inhabitants, he had seen in Gaugin’s paintings turned out to be more in the artist’s fantasy than in reality. He returned to Basel but in 1935 again was on his way to the South Sea. In 1936 he arrived in Bali, planning to stay there for two or three weeks, but thirty years later he was still there. In Bali “a delirium laid hold of me which even today has not subsided”, he was to write much later. The present drawing was made during his first “delirius” year in Bali. In Bali, he settled and found inspiration and friendship with other artists including Walter Spies...

A Japanese painting depicting Commodore Matthew Perry’s flagship USS Mississippi bringing the coffin with the remains of US marine private Robert Williams who died while serving on t...

An important Japanese six-fold screen, depicting episodes from The Tale of The Genji Edo period, 17th century Ink and colour on gilded paper, H. 155 x W. 380 cm The Tale of Genji...

Set against a silk brocade backing, this early 20th century paper scroll is brushed with a work of painterly calligraphy. Expressing notions of endurance and moral fortitude, the scr...

Edo period (first half of the 19th century) antique Japanese scroll of peonies. Signature and seal read: Baiitsu Yamamoto, (1783-1856). Yamamoto was t...

Wonderfully large and bold tiger painted in ink and mineral pigments on silk mounted with silk brocade border. Seal reads: Miyaguchi (alternative reading: ...

Original 1950s Japanese people drawing with giltwood frame Frame measurements: 32x42x1cm.  

Mother’s Breast (Chichi) 1844 Hanging scroll. Ink, pigments and gofun on silk. Inscription: Kouka era, dragon year, late winter, painted by Shozan Yashou Artist’ seals: ...

18th century Japanese scroll of poppies. Edo Period (early 18th century) Japanese painting of poppies with lilies in the background. Seal on the lower...