Framed Korean Jakhodo Tiger and Magpie Folk Painting One of Four

A Korean Folk Art painting watercolor on silk mounted with brocade border and framed. The watercolor was likely dated from late 19th century to the tur...

A Korean Folk Art painting watercolor on silk mounted with brocade border and framed. The watercolor was likely dated from late 19th century to the tur...

A Korean Folk Art painting watercolor on silk mounted with brocade border and framed. The watercolor was likely dated from late 19th century to the tur...

A Korean Folk Art painting mounted as a hanging scroll. The watercolor on paper was likely dated from 1930s-1940s. The work depicts a "Jakhodo" theme (...

A large Korean folk-art painting framed in a carved gilt frame under museum-quality acrylic glass. The ink and watercolor on paper was dated circa late 19th century to turn of the 20...

A Korean folk Shamanism watercolor on textile matted with woven brocade and presented in a wood frame with an oriental style metal hanging hardware. The painting was estimated to be from early 20th century circa 1910-1930s. It depicts Guan Yu (160-220AD), a legendary Chinese warrior and general from Eastern Han Dynasty. Long worshiped in China as a deity, across all three major religions, Guan Gong...

A wonderfully painted and detailed Korean folk art Minhwa Jakhodo (The letters “jak” means magpie; “ho” means tiger; and “do” means painting) Tiger and Magpie Scroll Painting. The pi...

Korean Minhwa Spotted Leopard Snarling Magpie and another Magpie flying in the pine tree Minhwa, Korean folk paintings, portray the simple and unaffecte...

Balinese Painting; Artwork; 1980s; Balinese Art; Bali; Folk Art; Balinese painting, dating from the 1980s. Balinese art has traditionally called upon religion (Hinduism), people, and the island itself. Bali’s art...

Vintage Pichhavai painting on fabric of Krishna, Radha and female Gopis. Krishna walking with Radha and the Gopis by moonlight. The colors, details...

Anonymous. Korean, 17th century. Joseon period. Hanging scroll. Ink on paper. Seal: Shinso Dimensions: Scroll: H. 200 cm x W. 31 cm (79” x 12”) Image: H. 122 cm x W. 29.5 cm (48” x 11.5”) The grapevine came to China and then Korea from western Asia via the silk road trade routes. By the mid-Joseon period, it was one of the most popular subjects for Korean literati painters. Grapevines were painted as a singular subject or, less commonly, in combination with squirrels, which are associated with children due to their playful nature. Together, grapevines and squirrels embody wishes for abundant offspring and wealth. For the Korean literati artist the twisting vines, curling tendrils and round, plump grapes provided ample opportunity for expressive "brush play”. In this painting the artist has abstracted the scene and is seemingly unconcerned with discontinuities and proportion. Vines spring up from nowhere, grapes hang in random clusters and the squirrel’s head appears as if twisted backwards. For the vines and leaves we can feel a sense of speed in the brushstrokes, imparting a dynamic feel which is at once intense and animated. This contrasts dramatically with the countless tiny strokes of ink which realistically capture the texture of the squirrel’s fur...

Set of four Japanese reverse paintings.