Rufino Tamayo "Apocalypse 10" Lithograph

Southeast Asian text on black paint with red border upon tan paper, floating in a modern red lacquered metal frame. Image: 7.5" H x 22.8" W; frame: 10.6" H x 25.5" W x 1.1" D. Dea...

Domenick Capobianco (American, b. 1938) colorful abstract cityscape oil painting on canvas, apparently unsigned, unframed. Provenance: Property from the estate of the artist. Deale...

Domenick Capobianco (American, b. 1928), "Untitled", Abstract Oil on Canvas, in black and red tones, in the manner of Pierre Soulage (French, 1919-2022), apparently unsigned, "Studio...

Xavier Cugat (Spanish, 1900-1990) oil painting on panel depicting a seated monk figure reading Playboy Magazine, signed lower right, housed in a carved woo...

Alfred Julio Jensen (Guatemalan/American, 1903-1981), "Yucatec", Oil on Canvas, 1969, signed, titled, dated, and inscribed with remnants of Cordier & Ekstrom Gallery label to verso. ...

Haitian Birds Perched on Tree Stump, (20th century), oil on canvas board, illegibly signed "Alva..." lower right. Dimensions: Image 27"H x 19"W; frame 3...

lithograph Ole Kortzau, 1970s Copenhagen. Ole Kortzau has made a series, this is one of the works of art. it is signed and numbered. In a good condition.

Joan Miró, Ceramiques, is an original Lithograph made in 1974. It has a printed signature in the lower right of the image. Published and Printed by Maeght, Paris. M.928. Joan Miró w...

Large 10' foot tall artwork portrait of Ella Fitzgerald oil painted on a canvas fixed to a wood folding screen featuring her singing with a multicolore...

Rare screen/room divider. Set of 10 (8 wide + 2 smaller) panels with original thick red lacquer with calligraphy in gold leaf. Later frames in black lacquer with profiled leaf-gild...

Large 10-foot tall artwork portrait of Count Basie oil painted on a canvas fixed to a wood folding screen featuring Basie's side profile on a multicolored modernist background. The B...

Anonymous. Korean, 17th century. Joseon period. Hanging scroll. Ink on paper. Seal: Shinso Dimensions: Scroll: H. 200 cm x W. 31 cm (79” x 12”) Image: H. 122 cm x W. 29.5 cm (48” x 11.5”) The grapevine came to China and then Korea from western Asia via the silk road trade routes. By the mid-Joseon period, it was one of the most popular subjects for Korean literati painters. Grapevines were painted as a singular subject or, less commonly, in combination with squirrels, which are associated with children due to their playful nature. Together, grapevines and squirrels embody wishes for abundant offspring and wealth. For the Korean literati artist the twisting vines, curling tendrils and round, plump grapes provided ample opportunity for expressive "brush play”. In this painting the artist has abstracted the scene and is seemingly unconcerned with discontinuities and proportion. Vines spring up from nowhere, grapes hang in random clusters and the squirrel’s head appears as if twisted backwards. For the vines and leaves we can feel a sense of speed in the brushstrokes, imparting a dynamic feel which is at once intense and animated. This contrasts dramatically with the countless tiny strokes of ink which realistically capture the texture of the squirrel’s fur...