Tadashi Nakayama Signed Limited Edition Japanese Woodblock Print Two Horses 1963

This wonderfully designed, abstract work by esteemed Japanese printmaker Tadashi Nakayama. The print is pencil signed, numbered (46/65) and dated 1963 by the artist. A fairly uncommo...

An exceptionally large, complexly designed beautiful work by esteemed Japanese artist printmaker Tadashi Nakayama. titled "Afternoon in Blue" featuring his very popular and highly at...

An exceptionally large, complexly designed (note the subtle repeated butterfly design pattern in the background and to the right of the main subject - apparently the artist's daughte...

A wonderfully composed and richly colored, limited edition woodblock print by famed Japanese artist Junichiro Sekino. This print, which is titled "Aquarium", is signed and sealed/ stamped in red at the lower right. We believe this was created in 1956 although it could have been made in 1946 (there are some conflicting dates on this image but we assume 1956 is correct) and comes from a limited edition of 50 prints (the exact number of this particular print and date/year is likely listed in pencil below the matt but we have not removed the print from the frame to confirm the exact number/year). The very image is widely considered by many Sekino critics and scholars to be one of Sekino's masterpieces. It is an exquisite and rare/hard-to-find work. Junichiro Sekino was largely considered, along with Kiyoshi Saito, to be one of Japan's paramount 20th century master print artists. Both were prominent leaders of the Sosaku Hanga movement. Sekino's works can be found in many museums including: The Museum of Modern Art, N. Y., the Art Institute Chicago, the Museum of Fine Art, Boston, the British Museum, and the Portland Art Museum among many other Fine museums throughout the world. Would be a fantastic addition to any modern Japanese print...

A beautiful, large woodblock print by American master printmaker Clifton Karhu who lived in Japan for over 50 years. Karhu's work gained great e...

A gorgeous, luminous, and sumptuously colored woodblock print by Japanese artist Hiroyuki Tajima titled "Small Garden, B" Tajima is famed for his use of dark, rich colors and striking abstract compositions and was heavily influenced and guided by his Zen Buddhist beliefs. The print is pencil signed, titled, dated (1967), and apparently numbered (6/50). Would be a great addition to any Japanese or Asian print collection or eye-catching stand-alone work in about any setting. His work can be found in various collections and museums including: The British Musem, London UK The Japanese Museum, Tokyo, Japan Harvard Art Museum Portland Art...

An antique Japanese Shunga woodblock print in gilt frame depicting two women making love. Created in Japan, this woodblock print called a Shung...

A Pair of Finely Framed Japanese Woodblocks. Each of a Geisha in dress the pair both having artist signature in Japanese. Both in fine custom...

This Meiji-period color woodblock by Toyohara Chikanobu (1838-1912) depicts three elegant female courtiers in traditional dress taking refreshments. Th...

Faces (4 Faces), 1969 Tomio Kinoshita (1923-2014), Japan Woodblock print Paper, pigment, sumi ink Image: 27 high by 18.25 inches wide (68.5 by 46.4 cm) Paper size: 28 high by 19...

Tomio Kinoshita (1923 - 2014) Masks (No. 4), 1981 Woodblock print Image Size: 22 high by 31 inches wide (56 by 79 cm) Paper Size: 22.75 high by 31.5 inches wide (57.8 by 80 cm) ...

Tomio Kinoshita (1923 – 2014) Big Boys, 1960 Woodblock print Image size: 32.75 high by 22 inches wide (83 by 56 cm) Paper size: 35.5 high by 23.75 inches wide (90 by 60.3 cm) Signed: in pencil lower right, Tomio Kinoshita Titled: in pencil at lower left Edition: 30/50 Condition: Very good The woodblock for this large print was carved in 1958, just three years after Kinoshita’s began creating woodblocks. This print was signed and dated in 1960, but not numbered; prints were also pulled from this block in the 1970s, so it must have been one of more popular images. One of his students has written, “As time progressed further, the postwar era saw improvements in nutrition, and children became taller and heavier than in the past, but their lack of physical exercise and severely inferior physical abilities became a social problem; this is ironically depicted in Big Boys.” In 1963, Kinoshita told him that he had just finished pulling a print of this image in response to a request from Unichi Hiratsuka...