Antique Nephrite Jade Buddha Statue Qing Dynasty

A large, all natural, celadon green nephrite jade sculpture, featuring an chubby baby perched on a citron and lin zhi. The statue has auspiciou...

A beautiful hand carved stone statue of Buddha Amitabha. Seated in dhyanasana, Buddha wears a robe elegantly draped over his body and gathered around his ankles. Finely depicted face...

A rare collection of 5 antique wood statues of Chinese Bodhisattvas. All seated in horseshoe round back chairs, the collection features Celestial E...

A large, finely carved Tang style stone statue of Buddha Amitabha. Depicted with a full-cheeked face below neatly gathered hair and ushnisha, with large eyes, downcast smile and full...

A beautiful natural lapis lazuli statue of the Happy Buddha. The full face with big laughing mouth below smiling eyes flanked by long pendulous ear...

A stunning, extra large, all natural crystal sculpture of a Chinese Happy Buddha. The boulder is crystal clear with beautiful gold threads and moss covering the back. It weighs an in...

A large and graceful carved nephrite jade conjoined double vase in the form of a pair of Buddha's hands fruit (finger citron), late Qing Dynasty, circa 1900, China. The large and heavy vase carved from a single piece of celadon nephrite jade, with areas of lighter brown "sugar" skin. The vase ingeniously carved as a pair of Buddha's hand fruit, also known as finger citron, rising from a gnarled, leafy branch. The smaller Buddha's hand with a pair of bats. The Buddha's hands fruit with elegant and naturalistic curved "fingers". The "fingers wonderfully shaped and reticulated. The body of the fruit with simple stippling, in imitation of the textured surface of the real fruit. The interior of each fruit well hollowed and able to hold water. Buddha's hands fruit are auspicious in Chinese culture. Their name in Chinese "Fo Shou" is a homophone for "Happiness and Longevity. They are often placed as offerings on Buddhist altars...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

This red coral specimen, with flowing lines and organic form, is a beautiful example of how the work of nature can be, and has been, celebrated as a...

An gilt and lacquered wood Buddha head with displayed on a metal and Lucite stand. stunning presence with its refined features and amazing details. The carving is of exquisite qualit...

A 19th century Chinese standing priestess sculpture made from terracotta during the later stages of the Qing dynasty with traces of original paint. This small hollow statue displays ...

A pair of Qing dynasty 20th century terracotta Chinese hooded priestess sculptures with original paint. Crafted in China during the Qing dynasty (1644-1912), these small hollow statu...