Chinese Carved and Painted Quan Yin Figure, 19th Century

Pair of Chinese Quan Yin covered and polychromed wood table lamp 19th century By Fredrick Cooper

Two 19th Century European Hand-painted Porcelain Lovers 8.5"H x 3"W x 3"D Child with doll 3.5"H x 1.5"W x 1"D

19th Century Carved Wood Mary and Child in Medieval Style 17.75" x 4" x 4"

19th century figure of YoungBoy with musical instrument terra-cotta

19th Century French Hand-Painted Paper-Mache Wig-stand 14.5" x 5.5" x 7.5"

Extremely beautifully detailed 19th century bronze. A lady leaning on a tree stump after picking flowers for her basket. Great original patina. Sculptur...

Stunning Chinese Guanyin cloisonné enameled figurine/sculpture. Comes with the original wood stand. Hands and head are carved. Stunning color...

The charming figure done completely in the lost wax method is in a primitive naive style. The male figure is dancing excitedly on a rocky outcrop. His costume of a loose-fitting coat...

19th Chinese carved hardwood figure of an immortal holding a bat, well carved with inlaid bone eyes and teeth.   

A tall 20th century polychrome carved Asian standing Guan Yin. She is depicted on a lotus pedestal and robed with ribbons and beading, surrounded by a parasol styled moon.

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

A 19th century Chinese carved guardian statue used as ship ballast. In the time when great wooden ships dominated the trade among nations of the east,...