Elaborately Carved Antique Beggar's Bowl Kashkul

The Buddha statue was made from a copper alloy in a standing position with hands in double Abhaya mudra. This mudra symbolizes the act of dispelling fear in the face of adversity. In Laos and Thailand where this mudra are used as one of the most iconic gestures, with its origin was pre-Buddhism era, when it was a symbol of good intentions and friendship when approaching strangers. In contrast to Indian iconography, it was often shown with both hands raised to the level of the shoulder in Southeast Asia. The statue was made in the classic Lopburi style, which historically was heavily influenced by Khmer art...

A delicately carved wood Buddha in an upright standing posture with a double Abhaya mudra. The statue displays a gilt surface with beautiful patina and some minor wear. The face was ...

A gilt and lacquered wood Buddha statue from Southeast Asia likely Burma, circa 19th century. The Buddha is depicted as seating on a slightly taper...

An extraordinary "Kepeng Lamak" from Bali, Indonesia, circa early 20th century. Lamak is a general term for temple hangings, mostly made of disposable materials like palm leaves for temporary offerings. A small number, such as this piece, were made by wealthy and aristocratic families for permanent display. The lamaks are traditionally displayed in temples or residents for a strong spiritual reason in Bali that is known as "Artja". They could function as receptacles, or a vessels of for the habitation of the deities when they descent to the earth on propitious occasions. In a goddess form with a carved wood head adorned with painted face and mirrored crown who likely represents Dewi Danu, the water goddess, this lamak was constructed with a bamboo frame, cotton pompoms, fabric fragments...

A Japanese carved wood Amitabha (Amida) Buddha statue with residual gold leafed surface circa 19th century (late Edo period). The buddha is seated in the padmasana position on an elevated double lotus throne, under a small lotus halo canopy. His right hand is held in abhaya mudra which means fearlessness in Sanskrit. The mudra symbolizes protection, peace, and fearless. His left hand gently resting on his thigh. Dressed in a flowing robe with open chest, the statue showcases a classic iconography found prominently in Japanese Buddhism art during Edo to Meiji period, characterized by the double lotus throne and a particularly serene meditative facial expression, highlighted by inset gemstones...

This elegantly carved temple drum wase use in Buddhist Temples. It’s carved from teak and lacquered black with red and green stripped details. The top and straps are made of leather. These gigantic goblet...

Japanese antique temple find from the Meiji period, 19th century A large hand carved hand lacquered, and hand gilded wooden chanting bell mok...

An Exceptionally Fine Example of a Chinese Export Hand Carved Bovine Ivory Walking Stick of small proportions, last quarter of the Nineteenth Centu...

The Beggar's Opera. Written by Mr. Gay, to Which Is Prefixed the Overture in Score: And the Musick to Each Song, by John Gay. Published by Garden City, N.Y.: Doubleday, Page & Co. 19...

A mixture of finely powdered tobacco, herbs, and spices, snuff was introduced to China in the 17th century by Western diplomats. Initially reserved for ranking members of Qing-dynast...

A mixture of finely powdered tobacco, herbs, and spices, snuff was introduced to China in the 17th century by Western diplomats. Initially reserved for ranking members of Qing-dynast...

In Indian Buddhism, Avalokiteshvara is a male Bodhisattva, however in Chinese Buddhism he takes the form of the female Bodhisattva, Guanyin - ‘The One Who Hears the Cries of the Worl...