Large Special Burmese Shan Buddha from Burma

Material: lacquerware 127 cm high 83 cm wide Gilded with 24 krt. gold Shan (Tai Yai) style Bhumisparsha mudra Originating from Burma 18th century A very beautiful and large piece ! ...

Material: bronze 95,5 cm high 73,5 cm wide and 40 cm deep Weight: 58.55 kgs With traces of the original lacquer & gilding Shan (Tai Yai) style Bhumisparsha mudra Originating ...

Material: lacquerware 75,1 cm high 49,5 cm wide and 29,8 cm deep Weight: 6.05 kgs Gilded with 24 krt. gold Shan (Tai Yai) style Bhumisparsha mudra Originating from Burma 18t...

Material: marble 102 cm high 64 cm wide and 28 cm deep Shan (Tai Yai) style Bhumisparsha mudra Originating from Burma 17th century Large original antique Buddha statues...

Very special antique Burmese Shan Buddha from Burma, 18th century Material: Alabaster 54,8 cm high 33,5 cm wide and 9 cm deep Shan (Tai Yai) style Bhumisparsha mudra 18th century St...

Material: bronze Measures: 39 cm high 19,7 cm wide Weight: 4.281 kgs Gilded with 24 krt. gold Shan (Tai Yai) style Bhumisparsha mudra Originating from Burma 17-18th century ...

A large and magnificent cast bronze image of the Medicine Buddha, Bhaisajyaguru, rendered in the Burmese Pagan style, and most likely based on a period example that was either damaged or lost, 19th century, Burma or Thailand. He can be identified as the Medicine Buddha by the hand that rests in his lap, with his middle finger touching the thumb. A medicine pot or fruit stem would originally have been placed in his upturned palm. The face of this Buddha has been sculpted masterfully. He has a beautiful heart shaped face topped by hair neatly arranged in the typical "snail shell curls", and surmounted by a high ushnisha. Long, pendulous earlobes frame his face, a symbol of his princely past. He gazes serenely outwards from heavily lidded, downcast eyes, a content smile upon his full, lush lips. The Buddha is portrayed seated in vajrasana (full lotus position), his elegant hands displayed in varada mudra, the gesture of granting favors and fulfilling wishes. Long, exquisite fingers extended, the thumb and middle finger touching in a gesture of compassion. He is clothed in a simple kasaya wrapped around his body and over one shoulder, leaving the shoulder and part of his chest bare. The diaphanous garment clings to his body, outlining his well proportioned and graceful, almost sensuous, form. The excess material pooled in neat pleats in front of him. A sash thrown over his shoulder. He sits upon a double lotus base upon a raised platform. The platform features two kneeling attendants, usually interpreted as the monks Ananda and Kasyapa. Between them is a circular disc representing the Wheel of Dharma. Contained in the disk is a flower with eight petals, symbolizing the eightfold path, one of the principle teachings of the Buddha. The sides and back of the platform featuring a series of singha, or lions, representative of the Buddha's royal past. An applied lacquer patina covers the entirety of the image. Large deposits of ash (from incense) are present between the curls of the hair, as well as some the other crevices, indicating this image was the subject of worship for many years. Bhaisajyaguru, also called the Medicine Buddha, or Buddha of Healing, is a revered figure in the Buddhist pantheon as a master able to cure suffering, both physical and spiritual, through his teachings. The Pagan Empire ruled most of present day Burma (Myanmar) from 849 to 1297. The capital, Bagan, served as a both the center of government and religion, where Buddhism reigned supreme. Bagan was also at a crossroads of the Buddhist world, with influence from India, Nepal, Tibet, China, and even Indonesia shaping their culture. As such, Pagan Buddha...

This large and important representation of the historical Buddha, Siddhārtha Gautama, was done in dry lacquer and richly gilt according to Shan-Burmese sculptural traditions. Though...

A Burmese Mandalay style gilt lacquered wood standing figure of Buddha and together with an unusual Burmese red lacquer covered baluster offering vas...

A impressive bronze Buddha head fragment displayed on wood stand circa late 19th century. The Buddha was cast in the early "U Thong" style that flourished between the 12-13rd century A.D in Central Thailand. The Buddha iconography of that period is exemplified by the influence from Mon and Khmer kingdom, featuring a more square face and a characteristic small band between the hairline and the forehead. This large Buddha head...

A highly decorative early 19th century Vietnamese carved wooden and polychrome painted Buddha with traces of original gilding, creating a beautiful p...

A beautifully carved early 19th century Burmese Shan style alabaster Buddha with traces of old color, a sweet smile and a calming, spiritual presence. This piece is in the Bhumisparsa mudra...