Framed Japanese Textile Art Meiji Period

A Japanese Fukusa textile panel circa late 19th-early 20th century of Meiji Period. On the woven brocade background with gold thread forming clouds and...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested ...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested by an artist monk Miyazaki Yuzensai (1654 -1736) of Edo period. The auspicious composition features a group of red-crown cranes, the symbol of longevity. Three of them perch on the rock by the ocean (East Sea) an two of them are in flight. Additionally, two egrets frolic in the wave. Yuzen dying was used extensively to showcase the amazing details such as the waves and the gradual coloring effect. Embroidery was used sparsely to highlight areas such as the legs of the crane to render it more dimensional details. The piece has a red silk backing and still retains four blue tassels on corners as well as decorative stitches along the edges. Fukusa is a traditional Japanese textile...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested by an artist monk Miyazaki Yuzensai (1654 -1736) of Edo period. The front cover likely depicts a scene from the Tale of Genji, showing a nobleman and his servant pays a visit to a lady in a fenced thatch-roof house under a high peak. The details of blossom trees and pines, as well as the characters, and scenery with a gradual color are astounding. It is telling that the Yuzen dying was used such an mastery. The piece has a red silk backing and still retains two red tassels on the lower corners as well as decorative stitches along the edges. There is a patched design on the back likely a Mon symbol (family crest). Fukusa is a traditional Japanese textile...

On offer is the last one of the set of seven framed Japanese textile art called Oshi-E circa Meiji Period (1868-1912). This rare set consists ...

A Japanese textile panel with embroidered picture work circa late Meiji period (1900s) presented in a gilt wood frame with silk mat. The work de...

A beautiful and wonderfully designed/composed Japanese textile panel with embroidery floral natural landscape/flower decoration. The work is pr...

Late Meiji Period sleeping Kimono / Yogi, Japan Yogi are a type of oversized sleeping kimono traditionally used in Japan. This kimono would have b...

Saki-ori farmers coat, Northern Japan, Meiji period A very heavy and substantial saki-ori coat, made of cotton with an indigo kasuri lapel. Several patches of hand sewn stitching ...

Meiji period Japanese Indigo double ikat futon cover Japanese futon cover, a double ikat pattern in four panels depicting Kumamoto Castle with im...

Japanese horse trapping, "Uma-No-Haragake", Tsutsugaki, cotton, Meiji period This type of haragake is called yuiage ("tied up"). The central portion covered the belly of the horse an...

Katagami in washi paper, very finely worked. Japan, early 20th century. The sheets of paper making up Japanese stencils are made from mulberry bark. They are stuck together with fer...