Handcrafted Italian Art Studio Large Stoneware Bowl Aqua Color

Handcrafted large Moroccan Moorish polychrome decorative ceramic bowl from Fez. Bleu de Fez, very nice designs hand painted by artist in Fez. Antique ceramic handcrafted bowl with...

Simon Moore studio hand made ceramic, pottery bowl, free form. White color, signed. Japanese style, very delicate and light.

1950s Mid-Century Modern handcrafted and hand-decorated large bowl in the style of Fratelli Fanciullacci. Vintage handcrafted Italian art studio pottery, Florence. Bands with vertica...

Beautiful cobalt blue Moroccan footed ceramic bowl with silvered metal overlay. Great large decorative ceramic bowl. Measures: Diameter 11 inches x 4 ...

Large heavy Moroccan Tamgroute Tribal green terracotta glazed bowl. Very large avocado green glazed earthenware bowl from Morocco. Antique Moroccan Berber Tamgroute green glazed decorative terra cotta large decorative bowl. Wonderful green and brown shimmering that can be found only in south Morocco in the village of Tamgroute. The dark green color and texture is a result of the particular alchemy created by the potters of Tamegroute and remains a family affair handed down through the generations. Each pottery piece is completely unique and no two are ever the same. Please note that the traditional method in which the plates are fired involves stacking which result in tiny ‘scars’ inside the plate and in the glaze making, each bowl is unique the beauty is found in the imperfection of each piece. Tamegroute pottery are true showpieces showing that even imperfect can be perfect. Tamegroute remains the only rural pottery in Morocco using oxidized copper which creates its famous green color. Its potteries are also the only location where you will find their unique forms. The process however remains much the same. Clay is dug up from the local Draa river banks, thrown by hand & fired in kilns built into steep slopes using a single firing. Antique olive green...

Moroccan large ceramic decorative serving bowl tajine polychrome with leather, stones and metal overlay with conical overlay lid. The bottom is a circular ceramic bowl and the top of the tagine is distinctively shaped into a cone. Handcrafted and hand painted with Moorish designs by artisans in Fez Morocco. Great decorative Moroccan Folk ceramic...

A wonderful and quite impressive large, heavy, hand-decorated bowl by Ohio-born Midwest American master potter/ artist Cyde Burt who early in his career studied under Maija Grotell...

A truly gorgeous and wonderfully crafted large art bowl by Swiss American sculptor/artist/ceramicist Paul Ami Bonifas (1893-1967). The glaze on this par...

A beautifully designed, exquisitely handmade bowl by pottery or ceramics masters husband and wife artists Vivika and Otto Heino. The two were best known for their inspired designs and distinctive glazes. This relatively hefty bowl is signed on the underside and is in excellent vintage condition with no discernible flaws. Really quite riveting and sure to Stand out in any collection or setting. Dimensions: 5.5" high, 8.5" diameter. They are winners of the following awards: Gold Medal from the sixth Biennale internationale de céramique d'art, in Vallauris, France. (1978) Silver medal from the International Ceramics Exhibitions in Ostend, Belgium (1959) Their work can be found in the following collections: American Craft Museum, New York City, NY County Art Museum and Craft Folk Art Museum, Los Angeles, CA De Young Museum, San Francisco, CA Museum of Fine Arts, Boston, MA Picasso Museum in Vallauris, France Smithsonian Institution, Washington, DC Craft & Folk Art Museum, Los Angeles Mingei Museum, San Diego Ventura County...

A fantastic, quite unique, and rare early work by famed American studio potter Rose Cabat who became well known for her ceramic "feelies" and use of innovative glazes. These formative early pieces are very scarce. This handsome work has a very natural, organic feel to it and displays a beautiful repeating pattern. This piece is signed by Cabat on the base. Would be a wonderful addition to collectors of Cabat or other midcentury potter...

A stunning Canadian studio pottery miniature bowl decorated in yellow glazes with an associated pottery stand by Lane Gordon Thorlaksson (Canadian, 1937-2009) dated 1976. Lane Gordon Thorlaksson was born in 1937 in Winnipeg, Manitoba and moved to Vancouver as a child. In his twenties, he represented Canada in the 1959 Chicago Pan-American Games, running alongside Henry 'Harry' Winston Jerome in both the 100 yard and 220-yard dash. Following this, he attended San Jose University of California and in 1966 received a BFA in Ceramics. Working with clay was Thorlaksson’s passion. He was fascinated with Asian ceramics, in particular the Song dynasty Chinese pot forms and glazes. In 1985, the Mayor of Vancouver, Mike Harcourt, visited China on a goodwill mission for the twinning of Vancouver with Guangzhou China. As gifts, he took with him several of Thorlaksson’s ceramics and presented them to Cao Yun-ping, Secretary-General of the People's Municipal Government of Guangzhou. The pieces were well received and local Chinese potters were interested to learn about his glazing techniques. In 1987, Thorlaksson was invited to visit China’s Guangzhou University to exhibit more of his work. He was aided in this exchange by Joanne Mah, the Director of Intercultural Training and Educational Consultants (ITEC), who had worked with the Harcourt exchange. In 1988, she and her husband sponsored a pre-gallery showing of Thorlaksson’s ceramics at the ITEC’s Hong Kong office, prior to an exhibition at Alvin Gallery in Hong Kong. Thorlaksson was celebrated and introduced to academics and the media, including the head of ceramics at the Guangzhou Institute of Fine Arts. Local Chinese potters were eager to learn about his firing techniques, which used multiple firings to create special glaze characteristics. They were also intrigued to understand how he designed his own stands as an integrated part of his presentation. Unlike Asian potters who used wooden stands, Thorlaksson produced his stands in clay, matching each stand in aesthetic and tone to its pot. This two-part process elevated his pieces to sculpture. He believed that ceramics should be viewed as fine art and not craft. He was inspired by the female form and was quoted as saying 'Most potters make pots; I make parts of people'. The bowl is of wide squat rounded form with a fold over rim and is decorated in pale yellow glazes over a brown ground and stands on a narrow round unglazed foot. The design is probably based and inspired by a Chinese brush washer...

A large and stylish studio pottery bowl decorated with an abstract feather patterned design in a grey powdered glaze by David Leach (1911-2005) and probably dating from his early day...