Handcrafted Japanese Ceramic Bowl Signed Jin Kobayashi

Vintage Japanese Imari Porcelain 7.5" Bowl - Hand Decorated for Geary's Beverly Hills. Set of two Japanese Imari porcelain Bowls from the prestigious brand GEARYS BEVERLY HILLS, Vintage collectible large blue and white porcelain bowl. These beautiful Japanese bowls are hand painted. Perfect for display or using as catchall or vide poche. Vintage Japanese Porcelain...

1994 Handcrafted ceramic bowl Signed by Luna Garcia. Large ceramic bowl in black glazed with polychrome dots and marked with a large inscription "DAGWOOD". Great to add to your col...

Moroccan ceramic plate in dark brown with crackled lighter beige. Ceramic plate chiseled with Arabic calligraphy writing in ivory on brown background. Large Moroccan ceramic bowl han...

Vintage Maitland Smith large decorative blue and white porcelain bowl with brass rim. Thai Hand-painted porcelain bowl with floral motifs, blue and white with brass rings running the circumference of the bottom and the top. Vintage Maitland Smith Blue & White Porcelain Thai Celadon Bowl. A large Thai hand-painted blue and white porcelain bowl from the late 20th century with floral motifs. Though this blue decorative jar was inspired by centuries-old designs, it has a surprisingly contemporary feel. Created in Thailand, this porcelain covered bowl...

Pair of Moroccan dark brown with crackled lighter beige ceramic plates chiseled in with Arabic calligraphy writing in ivory on brown background. These plates could be displayed on a ...

Handcrafted large Moroccan Moorish polychrome decorative ceramic bowl from Fez. Bleu de Fez, very nice designs hand painted by artist in Fez. Antique ceramic handcrafted bowl with...

An exquisitely decorated and wonderfully executed ceramic Mingei glazed plate/ low bowl by Japanese National Treasure and Mashiko pottery master Tatsuzo Shimaoka. This work displays his famous Jomon Zogan rope inlay design, hand-painted decoration, and has his impressed "Ta" signature on the base. Shimaoka, who started as an apprentice to famed Japanese potter Shoji Hamada in 1946 before opening his pottery studio, has exhibited worldwide including in North America, Asia, and Europe. In 1996 he was bestowed the title of Japanese Living Treasure...

A gorgeous, substantial work. Beautifully designed and made. Signed/ chop stamped by the artist on the base. From a collection of Japanese and Asian ceramics and art. Dimens...

A stunning Japanese stoneware studio pottery chawan tea bowl that features a beautiful, heavy and sumptuously multi-glaze with wonderful shifts in color and texture. This bowl is wit...

A stunning Japanese stoneware Studio Pottery chawan tea bowl that features a beautiful dark rich glaze with wonderful shifts in pattern and texture. This particular piece encompa...

A gorgeous Japanese studio pottery chawan tea bowl that features a wonderful reddish-orange glaze with various shifts in colour and texture. This particular piece encompasses the...

A rare ceramic bowl with over glaze painted decoration by Japanese imperial potter Makuzu Kozan ((1842–1916). Unlike the better known works Kozan made for the expositions in the west and export to the foreign market, this piece exemplifies his work for the domestic market and the tea ceremony. The bowl was made in the so called "Utusushi" Ogata Kenzan (1663-1743), an celebrated Edo painter and ceramicist. Utusushi is loosely translated as "in the spirit of". It is not at all a simple imitation of a master, but a Japanese concept of embracing the spiritual essence of a master while the creator is free to mix in his or her own unique artistic interpretation and flavor. The bowl was made to hold fruits during the tea ceremony. It has a very distinguished form with a circular lower body morphing into a square upper portion that further opening with flared rim. The surface has a grey glaze onto which Asagao flowers (Japanese morning glory) on the vines were painted in a free and poetic style. White was used for the petals, green for the leaves with touches of gold highlight. Asagao, the symbol of the summer was rendered in the spirit of Ogata Kenzan, and interestingly the shape of the blossom echoes the unique form the bowl. It was likely reserved for the tea ceremony during the summer months. Under the base, Kozan was signed in black on an white porcelain plaque inlay. For two similar examples of Kozan's work Utusushi Kenzan, see Page 168-169 of the book: Sekai ni Aisa Reta ya Kimono Miyagawa Kozan Makuzu...