Leather Decorative Bowls

Four sculptural leather covered yak butter churns from Tibet. The faded old leather coverings are crudely stitched with beautiful surfaces. Great pieces r...

This handmade leather bowl in aqua and white is the perfect addition to complete your dining room table or any room in your home. Rustic charm meets contemporary handcrafted design sensibility in this exquisite bowl. Featuring a unique asymmetrical design, this bowl is perfect for stacking with our other bowls. Size: 9" D x 1.75" H About the artist: Jose Luis Bazan has been creating unique high-end leather products for 50 years in his studio in the village of Ubrique, hidden in the mountains of Southern Spain. He’s learned from the top leather masters...

An early 20th century singing bowl crafted from solid bronze captures the eye with its hand-hammered surface revealing intricate gold divots. Emitting the harmonious B4 note, it reso...

Tankard by Gabriella Crespi Leather and steel tankard designed by Gabriella Crespi. Recorded by Archivio Gabriella Crespi, Milan. Italy 1970s

Serving tray Alentejo, Lusitanus Home Collection, handcrafted in Portugal - Europe by Lusitanus Home. A sublime serving tray, Alentejo was designed to uplift layback moments. A roun...

Centrotavola in ceramica bianca con dettagli decorativi a rilievo. La smaltatura a immersione si fonde armoniosamente con i dettagli decorativi creando un contrasto che lo rende uni...

During antiquity, mortars and pestles were used to grind up herbs for cooking or by pharmacists to make medicinal powders. They are typically constructed from a hardened substance, s...

Original Carl Auböck nut bowl element made by of solid teak wood and brass loop with leather at the top for carrying. This fantastic piece was des...

Rotonda is a collection of boxes, having an outstanding lid, doubling as a valet tray. Celebrating leather in its essence and as a structural mater...

This handmade leather bowl in sunset orange with a black trim and is the perfect addition to complete your dining room table or any room in your home. Rustic charm meets contemporary handcrafted design sensibility in this exquisite bowl. Perfect for stacking with our other bowls. Size: 7" D x 1.75" H About the artist: Jose Luis Bazan has been creating unique high-end leather products for 50 years in his studio in the village of Ubrique, hidden in the mountains of Southern Spain. He’s learned from the top leather masters...

Talon desk tidy by Madheke. Dimensions: D 15 x W 26 x H 1.5 cm. Materials: Leather, carbon fiber. Upturned carbon fibre base with embossed leather inset. A desk should not be a ...

Rotonda is a collection of boxes, having an outstanding lid, doubling as a valet tray. Celebrating leather in its essence and as a structural mater...

Talon A4 desk tray by Madheke Dimensions: D 25 x W 33.7 x H 1.5 cm. Materials: Leather, carbon fiber. A desk should not be a place of disarray and clutter, with the TALON A4 Tra...

Rotonda is a collection of boxes, having an outstanding lid, doubling as a valet tray. Celebrating leather in its essence and as a structural mater...

Serving tray Alentejo, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. A sublime serving tray, Alentejo was designed to uplift layback moments. A r...

Serving Tray, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. A sublime serving tray, Oshu was design to uplift layback moments. A serving tray upho...

Murayama Serving Tray, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. A sublime serving tray, Murayama was design to uplift layback moments. A servin...

I would keep this Black Lacquered Jar on my desk by my computer. I would often open the lid to see the hidden surprise inside.The surprise is a lamb leather ...

Leather tray AC&T sculptural acqua bowl- catch it all plate in saddle leather. Made in Italy by Arte Cuoio. Design by Enrico Tonucci for Arte Cuoio Triangolo. Measures: 3.75 tall ...

Carl Auböck Wooden Bowl, Austria 1960s

Temple tray by Emre Yunus Uzun. Dimensions: D 50 x W 30 x H 4 cm. Materials: brushed oak wood, leather top. Custom sizes and finishes available. ...

This set of handmade leather trays in black and orange are the perfect addition to complete your dining room table or as a centerpiece in your living room. Rustic charm meets contemporary handcrafted design sensibility in this exquisite tray ser. These trays are perfect for stacking or displaying separately. Size: Small tray: 6.25" x 6" x 1.25" Medium tray: 6.25" x 7.75" x 1.75" Large tray: 6.25" x 10" x 1.75" About the artist: Jose Luis Bazan has been creating unique high-end leather products for 50 years in his studio in the village of Ubrique, hidden in the mountains of Southern Spain. He’s learned from the top leather masters...

Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...

Article: light Teak bowl, shell element Design: Carl Auböck, 1950s Producer: Auböck Workshop Vienna, Austria Origin: Austria Age: 1950s ...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history...

Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...

Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonization. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

Leather bowl in Italian calf leather. Made with the 'vegetable' method, keeping the leather open to several layers of color. All bowls are unique and takes 1-2 weeks to make in hand...