Japanese Porcelain Covered Jar, circa 1880

Japanese Imari pattern porcelain covered temple jar. The body is fluted.

With three gilt border oval panels painted with fruit, flowers and foliage with alternating gilt scrollwork all on a ruby ground.

Pair of French porcelain covered jars, Samson, circa 1880. Chelsea style.

In the "transitional" style.

With two pairs of shell-form coupes and four candle holders with a central circular bowl. Marked Doulton Burslem.

Vaseline glass covered fruit form box and under plate, French, circa 1880.

Chinese famille jaune porcelain covered jar with floral designs and foo dog wooden finial Height 29.5 inches / Diameter 16 inches 1 available in stock in Italy * some repairs have be...

Rare Majolica box with oysters and snail signed Hippolyte Boulenger Choisy Le Roi, circa 1880. Measures: Height / 8", length / 15" on 6.5".

Japanese cloisonné enamels are known as shippo-yaki and the mid-19th century saw the production of very high quality wares in the early centers Nagoya. One of the most renowned works...

Beautiful Japanese hand painted Koransha Fukagawa porcelain decorative trinket, pill or jewelry box or serving dish from Meiji period (1868-1912) in a stunning shape. The mark Koran...

A fine Japanese porcelain box. Decorated to the exterior with a dark turquoise enamel ground with floral decorations. The figural finial as wel...

Exquisite Japanese late-19th century Imari Meiji period (circa 1880) signed porcelain charger in iron-red, cobalt blue and green. It showcases three panels with floral pattern on a dramatic gold background with shishi lions strolling. The panels are set against a stunning cobalt blue background adorned with generous gold details. The three small circles around the rim showcase plum blossom, pine and bamboo patterns, together they create a stunning auspicious “sho-Chiku-bai”. This stunning contrast creates a beautiful scene that invite the viewer to get closer to explore the details. The reverse side is decorated with underglaze cobalt blue hand-painting with the artist signature at the center.  The late father of the collector of this exquisite pair, who operated one of the leading kilns in the historic Imari-Arita region of Japan, travelled extensively to Europe in the early 1960s with a mission that he led, to purchase and bring back to Japan antique ceramics...